William J. Gross

When a cruel sea-captain named Bennett murders the mother of his child, the little girl is rescued and raised by Gale, a storekeeper. Years later, when the girl Necia has grown to womanhood, Bennett shows up in her Alaskan village, determined to have his vengeance on Gale and to retrieve Necia by force.

A farce in which the German Kaiser and the Crown Prince are defeated and made sport of by a plucky American girl and several American prisoners of war.

When Tourneur adapted the allegorical plays The Blue Bird by Belgian symbolist Maurice Maeterlinck and Prunella by British playwrights Harley Granville Barker and Lawrence Housman in 1918, they had been successfully staged for many years, opening in Moscow and on Broadway and everywhere. Today, the saccharine charm of these anti-modern fairy tales doesn’t work any more. But undistracted by the meaning or action of the film, we can enjoy the surface of Prunella all the better, the dazzling sets and costumes, silhouettes and painted backdrops created by the great art director Ben Carré in a fashionable Art Déco Neo-Rococo style.

A string of valuable pearls provides the motivation for the murder of Wareing, a widowed banker, who intended them for his daughter, Mary. She is comforted by Barton, a criminologist and friend of her late father, who appears to have left his financial affairs in a terrible state. Meanwhile, Mary's fiancé works diligently to identify the murderer. Although the criminologist places the blame on Wareing's butler, a reformed burglar, the killer is finally revealed to be Barton himself.

Adapted from the work of artist George Frederick Watts, a highly artistic subject that tells a short dramatic story in which "Hope" is pictured through the lighthouse keeper's daughter who never despairs, nor gives up hope, even when the people of the village turn against her and they tell her her husband has been lost at sea.

Peasant children Mytyl and Tyltyl are led on a magical quest for the fabulous Blue Bird of Happiness by the fairy Berylune. On their journey, they're accompanied by the anthropomorphized presences of a Dog, a Cat, Light, Fire, and Bread, among other entities.

The Bar Sinister is a 1917 silent film drama directed by Edgar Lewis.

Neil Dacey falls in with loves Peggy Desmond. Terence O'Malley, nephew of Squire O'Malley, is anxious to win Peggy. Terence and his uncle have a quarrel because Terence cannot win Peggy, and the squire is killed. Terence does the killing with Neil's gun, so Neil is held for the murder. Peggy, to save her fiance, dresses as the will-o'-the-wisp.

The old gardener, attracted by the ducks' antics, goes to the lake to find a basket with a baby in it. He becomes her guardian but passes away when she is fourteen, leaving her the house and garden. Beloved by the woodsman Jean, one day Lionel, a famous painter, approaches her to be his model, and she accepts. Eventually she finds herself torn between the two men.

Ruth Minchin is unhappily married to her father's former business partner, a drunken brute. She contracts a friendship for Severino, a pianist, who lives in the same apartment house, and Minchin, discovering them together, orders the pianist from the room and knocks his wife down. Severino kills Minchin in a delirium following pneumonia, and Ruth is suspected of the crime.

A poor shoemaker struggles to send his son to college, where he becomes a football star.

The "true story" of baseball great Babe Ruth; Ruth plays himself.