Evelyn Duah

Four lost souls—a disgraced TV presenter, a foul-mouthed teen, an isolated single mother, and a failed musician—decide to end their lives on the same night, New Year's Eve. When this disillusioned quartet of strangers meet unintentionally at the same suicide hotspot, a London high-rise with the well-earned nickname Topper's Tower, they mutually agree to call off their plans for six weeks, forming an unconventional, dysfunctional family. They become media sensations as the Topper House Four and search together for reasons to keep on living.

Helen, a London ad executive, is fired from her job and rushes out to catch a train, but, as she runs down, her life suddenly splits off. In one version she catches the train; in the second, she misses it. Her whole life changes in that one second, and the rest of the film depicts what happens in each scenario.

Father Merrin takes a sabbatical from the Church to devote himself to history and archaeology as he struggles with his shattered faith.

A man becomes haunted by his past and is presented with a mysterious legacy that causes him to re-think his current situation in life.

Bruno, a sadistic criminal, wants clever con man Leo out of the way. Leo and his equally clever wife, Lily, are up to something. So too is Julius: he hires Leo to kill Gloria, Julius's wife. Leo does it, but then Julius shows up with the murder on tape, saying Gloria isn't his wife - it's blackmail. Leo's bookie, Troy, is also closing in, wanting to be paid. Bruno and Lily as well as Bruno and Julius have their own scams running, and Leo is their target. Maybe Leo can get Troy off his back, avoid Moose (Bruno's huge enforcer), send Gloria's corpse out of England, turn the tables on Bruno's murderous brother Caspar, and outfox Lily. Or is Lily his fox? It's a three-ring circus.

A woman's bid to escape her violent husband is seen through the eyes of her younger daughter. Sadie understands Mum better after an accident on Brighton beach shows her that all actions have consequences and that fear of the unknown can be greater than fear of the known.