Robert Mothersbaugh

Live from Radio City Music Hall, witness the concert of a lifetime with a star-studded lineup bringing together legendary Saturday Night Live hall-of-famers, iconic guests and surprise musical performances.

Urgh! A Music War is a British film released in 1982 featuring performances by punk rock, new wave, and post-punk acts, filmed in 1980. Among the artists featured in the movie are Orchestral Manoeuvres in the Dark (OMD), Magazine, The Go-Go's, Toyah Willcox, The Fleshtones, Joan Jett & the Blackhearts, X, XTC, Devo, The Cramps, Oingo Boingo, Dead Kennedys, Gary Numan, Klaus Nomi, Wall of Voodoo, Pere Ubu, Steel Pulse, Surf Punks, 999, UB40, Echo & the Bunnymen and The Police. These were many of the most popular groups on the New Wave scene; in keeping with the spirit of the scene, the film also features several less famous acts, and one completely obscure group, Invisible Sex, in what appears to be their only public performance.

Originally formed amidst the chaos of the 1970 Kent State anti-Vietnam War protest killings, the not quite new wave band Devo scored a hit with "Whip It" and gained mainstream success with their message of societal "de-evolution."

Japanese television broadcast. Different production from the home video release, only sharing the title and the live version of "Red Eye." The video is mostly comprised of footage from a concert at Nippon Bukodan Hall in Tokyo in May 1979 and includes the full set except for "Pink Pussycat". Concert footage is interspersed with short clips of Booji Boy, Pliny, and Mongo at a sushi restaurant, shot for Japanese television around the same time as the concert. DEVO also interact with Mr. Kato.

The new owner of a roadside diner stuck in a town built around an always leaking nuclear power plant plans to torch the place to collect insurance. However, an assortment of bizarre characters and weird events (such as spaceships flying around) gets in his way.

Now, the complete truth can be told...Devo, the seminal New Wave audio-visual concept band made a career out of setting to music video their Dada-gone-camp theory of de-evolution and its riotous rebuke of corporate culture. Punk/New Wave mad scientists Devo were among the few bands to understand the music video's potential as art form during its infancy in the eighties. Their brilliant and bizarre videos were compiled on VHS and then on laser disc; that long out-of-print disc, The Complete Truth About De-Evolution, has finally arrived on DVD, which should please longtime fans of this eclectic outfit.

Several factory workers finish their day at work and get into a car. They drive to a club where they perform the song Secret Agent Man as a rock quartet. A man with a mask of a child named Booji Boy runs into a building where his father, a man named General Boy is waiting. Subsequently, a man gives a lecture by song on the subject of devolution.

A failing television station is bought out by a slick TV evangelist and starts making mountains of money in the guise of religious programming, which is actually just an excuse to sell merchandise.

A concert film capturing Devo at the Fox Theatre in Oakland on their 2014 "Hardcore Tour," in which they performed 21 songs written and recorded before they signed with a major record label, many of which had never been performed live. The set is intercut with stories and commentary from the band members, as well as Toni Basil and V. Vale.

A documentary about DEVO

Not to be confused with the longform video of the same name first released in 1981, this earlier film was filmed as a prototype for that later piece and features DEVO in greyish-blue janitor uniforms. It includes songs such as Huboon Stomp, The Words Get Stuck In My Throat and Too Much Paranoias.

Recorded live @ Benicassm Festival, July 2007.

Enter the minds of one of history's most misunderstood bands. With hits such as 'Whip It' & 'Freedom of Choice', they shared a trailblazing environmental message but were often mocked. 40 years later, we ask: were Devo right?

Part concert film, music video collection, and propaganda piece, The Men Who Make the Music was DEVO's first home video release. Features live footage from the band's 1978 "Duty Now for the Future" tour.

Live performance of DEVO's debut album, "Q:Are We Not Men? A:We Are DEVO" at the Forum, London in 2009.

DEVO live at the Sundance Film Festival 1996. At the time it was billed as their last ever show but it actually ended up kickstarting a revival of the band which resulted in many tours and a new studio album in 2010.

Whistler, BC, Canada - February 22nd 2010. DEVO live at the Winter Olympics 2010! Broadcast on MuchMusic in Canada

Like The Men Who Make the Music, We're All Devo! has a storyline to tie the videos together. In it, the character of Rod Rooter (Michael W Schwartz) is reviewing Devo's music videos for Big Entertainment. Much to his chagrin, his daughter Donut Rooter (Laraine Newman) is a fan of the band. Donut discovers the videos after asking her father for money to get an abortion (though this is not explicitly stated). Two excerpts from the storyline were included in the "Complete Truth About De-Evolution" laserdisc and DVD (both out of sequence) but the rest is exclusive to this videocassette. "Theme from Doctor Detroit" was also not included, and is unique to this tape. (Wikipedia)

The film details an entire live performance from Devo's 1996 reunion tour with Lollapalooza, opening for Metallica. The band performs a stripped down set consisting of songs from their first three albums, filmed at Irvine Meadows, California.

3-DEVO took place on October 30, 1982, at the Warner Beverly Hills Theater in Beverly Hills, California. It was filmed and transmitted live in 3-D to college campuses around the country. This is the original broadcast, not the late rebroadcast that was edited significantly.

"This lone video artifact offers indisputable evidence that in 1980 Devo had reached a turning point. We were no longer just art monsters, we were mainstream performers too. " - Gerald V. Casale (from the back of the DVD case) August 17, 1980 Phoenix Theater, Petaluma