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In 1969 Argentine filmmaker Hugo Santiago directed Invasión, his opera prima, written by Jorge Luis Borges and Adolfo Bioy Casares, and later settled in France. This film documents his return to Buenos Aires in 2013 to shoot his latest film, Le ciel du centaure.
An actress and her director are filming a movie. Through various texts ranging from monologues by Brecht and Joyce to tango songs by Libertad Lamarque, the film reflects on actors and acting in cinema.
Hugo Santiago discusses the process of writing with Jorge Luis Borges the screenplay for the film Invasión (1969).
An inquiry into film criticism in Argentina framed inside the historical debate about film ontology