Mária Keresztessy

The celebrated actor considers his wife a nitwits actress of a mediocre talent. But an influential playwright, a friend of theirs, has written a play with the main role designed for her, Kati, particularly. Its title is "The Most Intelligent Woman in the World". On the day of the first night performance Kati recalls their past, the times she had together with her husband.

The head of the nunnery is dying, and the members are divided in two groups as the election of the new head approaches. Led by Virginia, the younger nuns stand up for changing the strict religious dogmas and would like a modern school with genuine science, a bathroom to be built, and a freer spirit. Their candidate is sister Magdolna, who went to secular universities, too. The seminarists, led by Király Erzsi, also rebel against the older nuns' strict discipline and the depressed atmosphere of the institution. However, Magdolna does not want to stay involved in the fight because she is deterred by Virginia's sinful attraction towards her and the tools Virginia is using to gain victory at any price.

The story recalling the spirit of Gilgamesh, the Sumerian king quarrelling with his approaching death, takes place in a cancer hospital in Budapest. Dávid, the young ethnography scientist resigned to his lot and is indifferent to his approaching death. His specialist reckons, however, that such a searching and stubborn mind with thorough knowledge of the nature of his own illness, will be able to fight death.

The old, sickly Demeter Lapussa is a tyrant in the family. He forces his granddaughter, the beautiful Henriette, to marry baron Hátszegi, although the girl loves the penniless Vámhidy Szilárd. The two lovers attempt to commit suicide, then are torn away from each other.

The "sleepless years" in this propaganda piece by director Felix Marlassy occur on Csepel Island, an island south of Budapest that is home to an armaments factory. The factory workers are shown being exploited by imperialists, capitalists gone berserk, and fascists, more or less in that exact chronological sequence. The heavy-handed approach does much to undercut the belief that when socialism finally takes over, the lives of the workers are brought up to a human level. In this instance, audiences might prefer a more nuanced and subtle statement, no matter what the message.

The film, depicting life in the tenement houses of Angyalföld in the thirties joins the neorealist currents of Hungarian film. Ambrus Pista, the good humoured, attractive tram conductor is loved by women for his excellent job as well. With his lover, the street-walker Terus they spy upon the neighbour as he beats his wife in jealousy.

Private inspector Hável happens to travel on the train which is attacked at Biatorbágy. His attention is drawn to a suspicious man, and in the next few days he confirms that it was indeed him who committed the crime. Yet the police accuses not the lunatic Marschalkó but the communists. Summary justice is declared.

On New Year's Eve in 1956 the artist couple, the actor János and the dancer Viki are hastily packing. While they are waiting for the car, which is to take them across the border, their entire life is replayed in front of their eyes.

The war is over, but the Bodog family is starving. Varg's neighbor takes Mihai Bodog with him to do restoration work. They are well paid for this work and Mihai can finally please his wife Erji and their young son. When the workers are later hired to build a bridge, Bodog, a specialist bridge builder, cannot resist the challenge and is hired. But this time the workers are delayed in paying their wages, so their family is once again in need. Erji is forced to look for work...

Daddy Kárász, the stakhanovist worker, complains in a television interview about the fact that his family, consisting of many members, cannot get a home on their own. Kéri, the chairman of the local authority, promises to help him on the condition that if he does not, they may move in to his villa at elegant Pasarét. Nothing happens, therefore the Kárász family takes Kéri by his word. From this time on, tumultuous scenes and frequent quarrels take place in the villa between the two families.

At Christmas Eve in 1944 the runaway Pintér and Gozsó get through the Soviet blockade around Budapest. Pintér intends to hide in a flat abandoned by his own relatives, but he finds his relatives called the Turnovszkys, who are hiding the Jewish Jutka as well. Love unfolds between Zoltán and Jutka.