Sandra Nkake

A grief-stricken man who just lost his mother has a one night stand with a maid. What he doesn't know is that she's a virgin. He returns to his sad world of perfume business while she, unable to forget her first lover, follows him.

Gabrielle is a "statue" for tourists, much to the chagrin of her teenage son. Elsa is in angry at the world and desperate to become pregnant. Mao is a chronically depressed video game designer who drowns his melancholy in alcohol and psychoanalysis. They are brother and sisters but do not hang out. Ever. Their parents Pierre and Claudine, separated for a long time, have really done nothing to strengthen the bonds of the family - yet, at their grandfather's funeral, they are going to have to meet, and together answer the question: "What to do with grandma?"

At the end of the 1980s, Stella, Victor, Adèle and Etienne are 20 years old. They take the entrance exam to the famous acting school created by Patrice Chéreau and Pierre Romans at the Théâtre des Amandiers in Nanterre. Launched at full speed into life, passion, and love, together they will experience the turning point of their lives, but also their first tragedy.

Twenty years have passed. Thérèse lives alone in Paris. We exiled her there. She seems to be asking nothing more for life. She is sick and lives in slow motion. One day, we ring rue du Bac. It is Mary, her daughter, whom she sees so little. She is twenty years old now and comes to see her to escape her middle-class south-west. She is very in love with a boy, she expects from her mother a support, a freedom of point of view. His name is Murad. The arrival of her daughter awakens Therese with her reserve and torpor. It does not shock Mary, who is very busy with her love. Thérèse proposes to meet Mourad. She quickly understands that he is not willing to marry Mary but wants her without wanting to bond more deeply to her. It is she Therese, that the young man looks ... She wanted to help her daughter to be happy, a wish too official not to be suspicious. Here she is delivered to the power of her own seduction ...

An African high school teacher flees his war-torn country for France, where he falls in love with a Frenchwoman who offers a roof for him and his family.

Tired of their stressful parisian lifestyle, Caroline and Bertrand decide to start a new life, running a traditional gîte in deepest Provence. It is not long before they start to question the wisdom of this move – the buldings are in a state of near-dilapidation, their friend and supposed partner Sophie has walked out on them, and they are but a stone’s throw from a far more attarctive holiday home, catering for gay men. Will this change be as good as a rest or the start of a nightmare?

Clement, a young philosophy teacher, is sent to Arras for a year. He meets Jennifer, a pretty hair stylist, and the two freely share their hearts and bodies as they try to overcome the cultural and social divide between them.

Magali plays in a brass band. Guillaume drives a small tourist train. Both spin a perfect love, they share modest dreams and their baby is about to come. But an unexpected news upsets their routine: a man appears and announces that he is Guillaume's estranged father and also reveals that Guillaume is his legitimate heir of a kingdom offshore of France and England. Guillaume and Magali start to dream of a life as monarchs, surrounded by faithful subjects in their castle, enjoying their wealth. But reality is often different to what you can imagine.

In 1971, director Melvin Van Peebles turned the figure of the black hero in US cinema upside down with Sweet Sweetback's Baadasssss Song: the story of the making of a seminal movie that initiated the Blaxploitation movement, a short-lived but highly influential sub-genre in the years that followed.

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A torrid affair between two women, a struggling artist and a flame-haired blues singer, upsets a man who has a thing for the girl.