Miguelangel Landa

During a bus ride through the Andes, two seminarians encounter with a woman named Manon. Immediately, one of them falls in love and the attraction is mutual, so they decide to flee to capital city to start a new life. But the love of Manon ambitious drags this man to leave his vocation and commit criminal acts to maintain a life of luxury and extravagance.

Andres (Jean Pierre Agostini) it's a fan of Los Leones del Caracas one of the principal baseball teams of Venezuela. Julissa (Juliette Pardau) it's a fan of Los Navegantes del Magallanes, the rival team. One day Andres gets tickets to see the game in Magallanes VIP Zone. He meets Julissa and her dad who is not only fan but one of the team's managers. Andres and Julissa will fall in love and will have to pretend to be fan of the other's team. But soon trouble will arise.

A humble woman must bear the death of her son at the hands of the police. Demanding justice and faced with the impossibility of obtaining it, she decides to join the powerful drug cartels and thus be able to avenge the death of her son.

Two young men decide to rob a residence believing it uninhabited, once inside the homeowners and another couple maintain a perverse game as fun for Sunday. One of the young enters the house but is cornered and subjected to all sorts of harassment and abuse.

Andrés and Julissa now parents to a seven year old Carlitos struggle to live happily as a family despite being fervent fans of rival teams and of Vicente's (Julissa's father) disapproval.

A handsome young man is released from jail and goes to "El Pez que Fuma", a bordello in the outskirts of Caracas. La Garza, its middle-aged owner, hires the young man as handy man, but soon he takes the place of the administrator, who is also La Garza's lover.

Desperate to find a subject for his next novel, Ernesto Navarro follows the tracks of a mysterious killer, a man obsessed with drinking human blood and becoming immortal.

Short film based on the Venezuelan folkloric story: The Whistler (El SIlbón)

Version of the play "Todo bicho de uña". It tells the story of revenge. The tour of the Andean, for ten years, a young man in search of the rapist and murderer of his mother, takes us into the underworld strata fairs and circuses villagers.

During a police round-up, Mercedes witnesses the unjust murder of her son, a working-class man, by a police captain. Refusing to accept the official version of the story - that her son was a criminal - she launches a campaign for justice. Santiago, a young journalist moved by Mercedes's passion and determination, begins to investigate the story of the police cover-up at the risk of his own life. As the investigation develops, the film exposes the depth of Venezuela's corruption.

Carmen is a beautiful woman working in a business that is dedicated to smuggling. One day, Carmen fights and hurts to a smuggler woman, so a sergeant in the National Guard, José Navarro, stops detain her. In doing so he also falls in love with her, but jealousy will destroy his passion.

Adonai is an lunatic poet. He lives in an abandoned neighborhood of Caracas where he runs an underground radio called "Radio Pandemonium", he lives with his mom, his grandmother and a young lady who she calls very endearly, 'whore'. They survive among the corrupt, the death and the rising upheaval of the oppressed.

In Secretaries Day, either you get laid or you get paid.

Commissioner Leon (Miguel Angel Landa) of the Technical Judicial Police is assigned to the kidnapping of a child of the upper class of Caracas. The details of the kidnapping the attention of Leon, as there is no evidence of violence in the child's home, or witnesses to the abduction. Based on that Leon believes that the hijackers knew the boy and soon begins to suspect several young people from wealthy families of Caracas.

Young couple Carla and Martin are abducted by three men and spend a terrifying night in Caracas as they wait for Carla's father to hand over the ransom

Ingrid is a young high school student who due to the impact suffered by the death of his mother, is acting strangely causing concern to her teachers. After a landslide caused by heavy rains, police surrounded the premises of the high school to expel the refugees resulting in the classes suspended.

In Venezuela, one day in 1948 there were born three children all named Victorino: Pérez, mulatto and son of the poor Lucía; Perdomo, son of a middle-class communist who gets arrested; and bourgeois Peralta. On the day of his eighteenth birthday Pérez escapes from prison using lather pretending it to be a rage attack. Peralta shows a friend of his a car he got from his parents. A young lady gives herself to Perdomo as a birthday present. Pérez finds his mistress with another man and wounds her. Pérez and a few others rob an old man while riding on their motorcycles. Perdomo and a bunch of bushwhackers plan to rob a bank. Pérez sees a friend of his smoking pot while Peralta visits a cousin of his and has sex with her. Perdomo’s father, recently elected a communist representative wants to talk him out of his violent ways. Pérez sleeps with three girls and remembers how he once killed a man in the middle of a robbery. Peralta and his friends shoot dogs just for fun. Perdomo and his pals…

A living room, two video cameras, an armchair, two televisions and a mirror: domestic daily life in which colleagues, family and friends come together to decipher the life, personality and artistic trajectory of one of the most important actresses of Venezuelan Cinema: Hilda Vera

The Blue Apple Tree, is a Venezuelan film starring Diego, a city boy about 11 years, marked by serious emotional deprivation, which is forced to spend a holiday with his grandfather Francis (Miguel Angel Landa), who barely knows him, on a small farm in the mountains of the Venezuelan Andes.

The political leader Alberto Carnevali, secretly returns to his country to plot against the dictatorship of Marcos Perez Jimenez. The Intense subversive struggle brings the torture of many of his comrades.

Beginning with his childhood and covering the many facets that characterized his intellectual universe, this documentary details the different aspects of the most important venezuelan writer of the 60s, 70s and 80s: José Ignacio Cabrujas.

Jesús María Carmona is a small-time crook who poses as a cop so he can rob a bank. A few days before the day he planned to do it, a guerrilla group robs the same bank and Carmona is shot to death defending it when he has no other choice but to act as a policeman. Soon after, his image becomes a symbol for the police and he is honored, but his identity is found out. Meanwhile, in the neighborhood where he grew up his effigy is burned as he is now considered a traitor.

A gang of young people falls into a world of violence and drugs.

Adventure movie directed by Fernando Orozco, written by Manuel de la Pedrosa and filmed in the Venezuelan Llanos.

In the turbulent Venezuela of the 1950s, ambition and betrayal intertwine in a drama that culminates in a tragic outcome. Rafael Simón Urbina, a man marked by resentment and frustration, hatches a plan to eliminate Carlos Delgado Chalbaud (Raúl Amundaray), the leader of the military junta that rules the country. Driven by a deep hatred for the regime and an unquenchable thirst for power, Urbina orchestrates a daring kidnapping that culminates in a brutal murder.

This anthology film consists of three parts: "Story One: The story of the brave man", "Story Two: Angels Rhythm" and "Story Three: The false office of supernumerary". The first story tells of a man desperate to get money to cure the illness of his daughter. The second story tells the adventures of a gang of youths; and finally, the third story tells of corruption in Congress.

1964, in a Latin American country, a journalist is head of an armed liberation movement that decides to initiate radical actions. His second in command, a farmer, and the other members of the group will kidnap a north american colonel stationed in Venezuela to force his government to suspend the execution of the vietnamese Nguyen Van Troi, accused of trying to assassinate the American Secretary of Defense, Robert McNamara.

A Venezuelan black comedy from 1982 directed by César Bolívar, Domingo de Resurrección follows a middle-class family who head to the beach for Holy Week. Their Easter Sunday takes a dark turn when the grandmother dies peacefully in her sleep, triggering a chaotic chain of tragicomic misadventures. The film blends humor and absurdity as the family desperately tries to handle the situation amid everyday Venezuelan chaos.

Documentary that has unpublished testimonies from Román Chalbaud, director of El pez que fuma, an emblematic Venezuelan film from the 1970s; as well as funny conversations with the actors, 40 years after the premiere of the film. Made from a solid video-newspaper investigation, the film has unpublished stills and behind-the-scenes scenes, as well as incredible technical anecdotes, explanations about the montage and the rehearsal of scenes.

Inspired by true events, "The 86" highlights the activities of a band of 86 street thugs that were famous for their strong presence in the venezuelan capital city during the 1980's.

Elisa is treated and poisoned by her envious cousin Irene. Elisa leaves the notice denouncing her murder hidden in a picture frame. Irene marries the widower. Barbara arrives in Caracas with her nanny and enters to serve in the house of Don Luis, who dies. Pablo, the son of the deceased, falls in love with Barbara and ends up, after multiple inconveniences and oppositions, marrying her.

Victor, a family man, becomes romantically involved with Rosario, a young newly arrived prostitute from the city of Maracaibo. His obsessive love and the desire to share his life with this woman, will lead him to despair.

Pedro Zamora (Miguelangel Landa) is a former guerrilla who returns to Caracas and moves to a pension as a tenant. Despite appearances, he has come to fulfill a secret mission to its ultimate consequences.

Commissioner Leon (Miguel Angel Landa) investigates the murder of a woman in a population near the capital. The woman was raped before death and the case is complicated when his brother becomes the prime suspect, since it is a priest (Eduardo Serrano). Because of the implications that inquiries might have, Leon is pressured to keep the event as a "crab" (Cangrejo, or a unsolvable case), but he decides to comply with the law.

Adonai Flores, an experienced writer of telenovelas, falls in love with Belén Helena, a girl of low class. Adonay, desperate to keep her with him, abandons his responsibilities and even his dog. After discovering that she is a drug dealer he decides to leave her and recovers his dog