Katalin Gyöngyössy

The final years of Sándor Márai's voluntary exile in San Diego, which led to his suicide in 1989. Based on his own diary.

The story of Bálint Balassi, the poet and warrior. The scene is Hungary at the end of the 16th century. The soldiers stationed at the castles of Hungary's border defence-system spend their days with anti-Turkish raids, hunting and womanising.

Komora, a young painter and his friends, Mari, a teacher, and the elderly doctor, Szabó, buy a barrack-building situated at the foot of the stone mine of Badacsony. Earlier, the place served as an internment camp. Now, they intend to establish a camp with workshop sessions for fine artists. Mari and the painter fall in love.

Gedeon is a young, ambitious detective. Three women have disappeared and he strongly believes that there’s direct connection between them. All three of them were driving lonely and have disappeared in the same region. After a lenghty discussion Gedeon gets the permission from his boss for going on patrol with his colleague in that area.

No description available.

Andras (Zygmunt Malanowicz), an older man employed as a furniture designer, gets a life-jarring shock when he returns from a trip and finds that some of the work he developed has been given over to a younger employee. This instigates a mid-life crisis over his own identity and his sense of security and self-worth, all exacerbated by a recent divorce and estrangement from his son. Recognizing that he needs help, the man goes for therapy and starts to face his problems. Therapy counteracts some of the damage of living, and the man starts to consider his son, his relationships with women, and his father in a different light.

This poetic film presents the ballad of the boys who turned into stags, by the associative means of music, painting and folk art. At the same time it is a memorial to the martyrs of the 1944 Sátoraljaújhely prison revolt and shows its butchery reflected through the fate of three brothers.