Rendra Karno

Suro becomes obsessed with Ujung as a tool to take power over the village. His ambition stumbles when his daughter, Marni, falls in love with Kasan, an ordinary peasant from the same village.

Arman suffers a severe wound from the second military clash in December 1948 and is nursed by the village head and his daughter, Srihati. When Indonesia gains full sovereignty in 1950, he returns to Jakarta. Then Arman is carried away by the big city life. He meets Martini and later on marries the modern girl. When Srihati goes to the city to find him, she is disappointed. But later she meets Kasim. At that time, Arman is having gambling problems and he is sent to prison due to embezzlement. After he finishes his prison sentence, he tries to find Srihati at the village but she is already married to Kasim. So Arman becomes the dust of revolution, blown by the wind to nothingness.

Even though he had a son and a daughter from Suciati, Samsu was still tempted by other women. His wife and two children were left in Yogya, then Samsu went to Jakarta. Because of her suffering, Suci was blind and worked as a massage therapist. Suci migrated to Jakarta, and happened to be asked to massage Samsu.

Semi-documentary film, about logging. Both the procedures and the problem of wood theft. Tells the love story between Parta, a logging officer and Anna, a nurse.

No description available.

Kustini, the daughter of Retnaningsih and Winata, has a lover named Sujono. But Sujono betrays her. The girl is slandered and Winanta punishes her. Following his own conscience, Sujono arrives at Mega Mendung, and reunites with Kustini.

A rich man (Rendra Karno) comes to the Gelanggang Dagang to woo the pretty sales promotion girl (Baby Huwae). She already has a journalist boyfriend (Bambang Irawan), and when a female journalist/photographer (Rima Melati) comes onto the scene, the love triangle becomes a four-way street. The “humour” comes from the comedy trio of Bing Slamet, Mansyur Syah, and Ateng.

Mitra and Neng Mardinah are in love with each other. This makes Mardjohan jealous. So he spreads viscious rumors that Mitra is the son of a criminal. Mitra leaves town out of frustration. One day, Mardjohan has an accident, and is saved by Mitra. At home, Mardjohan's mother recognizes Mitra as her long lost son. Mitra is Mardjohan's brother.

Revolves around a conflict between two step -siblings Omar and Salim. Salim who lives in the village works on a rubber plantation inherited by their father. While Omar is in the city depending on the money sent by Salim to finance his extravagant lifestyle.

Arman’s father denies his request for a toy gun, but his mother allows it. With that toy gun, Arman forms a squad called “Berani Mati” or “Ready to Die” with his friends, Hamdan and others. The security in the neighborhood is threatened by the mischief of Bang Hamid, and Arman and his squad, successfully prevent a burglary by him. The residents are proud to have such brave boys in the neighborhood.

Husin bin Said (Udjang) suddenly got the inspiration to become a shaman. He put up a nameplate. So in droves of people came asking for help: people who intend to become cultural attaches, members of parliament, wives of officials whose husbands are dating again, producers, aspiring film stars, etc. For some reason, film producer Henry Bross (S. Bono) and aspiring film star Mimi (Diana Subroto) have succeeded in making Husin try their best to help carry out their intention. This story is also the main pillar of the film, besides being an opportunity for the director to mock the world of film. Moreover, then came Husin's friend, Pedro (Rd. Ismail), an old and unused performer who still had illusions about his triumph as an actor. Husin's house is next door to the family of Jaka Prawira-Mariam (R. Sukarno, Tina Melinda). To this house came their in-laws, RA Berlian (Edifah Hanoem), a controlling noble.

Three sisters—Nunung, Nana and Nenny—are being raised by their grandmother in Jakarta after their mother's death. Though the sisters' father Sukandar lives with them, he is too involved in his own work to pay them heed.

Devoted to the heroes who fought for their homeland’s freedom in the 1947 Indonesian war of liberation.

The residents of a dormitory led by Bu Siti each have their own personal issues. Tari, a dance student, falls in love with a man old enough to be her father. Rahimah, a medical student, is about to be forced into marriage in her village but is rescued by Nasrul. Maria, a flight attendant, gets entangled in a love quadrangle. She is loved by Imansyah, a co-pilot, but Maria is more attracted to Broto, a wealthy merchant. However, Broto himself is more interested in Sita, a dance instructor. Additionally, two teenagers, Ani and Ina, are placed under Bu Siti's care because their parents are preoccupied with politics. All these problems are resolved in a comedic manner.

The arrest of Haji Jalaluddin during his sermon leaves a strong impression on the hearts of Hamid and Halimah, his followers. Halimah is a wife who is taken for granted by her husband who is pro-Dutch. Hamid is the son of a rich merchant who falls into poverty after being branded as a rebel. His mother takes him to Padang to be raised by the family of Haji Jakfar, who has a daughter, Zainab. Hamid then studies at Padang Panjang and meets old friends, Fakhrudin and Zainudin. Hamid and Fakhrudin have more similar views with their teacher, while Zainudin is more radical. The latter organises a rebellion and fails. The Dutch keeps arresting people. Hamid, disappointed by Zainab’s marriage to someone else, sails to Mecca. Halimah is left to organise the fight for freedom but in the end, is also captured by the Dutch. The film’s message is that a physical fight for freedom, without being based on religious morality, will become meaningless.