A. K. Veerasamy

A goon, Rajaraman, enrols himself in a medical college to fulfil his father's dream. He defies the college rules and creates problems for Dr Vishwanathan.

The film is a biographical sketch of the former Chief Minister of the then Madras State and the All-India Congress Committee secretary and a respected national figure. The film starts with the young age of Kamaraj and ends with the funeral procession of the leader.

Ravi is arrested when he accidentally kills his friend who tries to molest his lover, Radha. Years later, when he is released from the jail, he tries to meet Radha but she avoids him.

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Brave and loyal warrior-archer Karna joins the Kauravas to battle the Pandavas in the Kurukshetra.

Mala, a modern college girl witnesses the murder committed by Sudhagar and hops into a bus bound for Pondicherry. Sudhagar follows and tries to kill her on the journey.

Ashok is in love with his boss' daughter, Nirmala. To convince Viswanathan, he seeks his best friend Vasu's help, who disguises as his father.

Raja Rishi is a 1985 Indian Tamil film directed by K. Shankar and produced by N. Sakunthala. The film stars Sivaji Ganesan, Prabhu Ganesan, M. N. Nambiar and Nalini in lead roles. There is a touching scene where moved by the penance of Sage Vishvamitra, formerly King Kaushika; God Shiva grants him the status of brahmarishi and totally compassionate, Rajarishi sings the Gayatri Mantra.

Despite being his daughter, Rani is not allowed to acknowledge Muthiah as her father. She works in his office and falls in love with a co-worker, but Muthiah opposes their relationship.

Yaar? is a 1985 Indian horror Tamil film, directed by Sakthi-Kannan and produced by S. Thanu, G. Sekaran and P. Suri. The film stars Arjun, Nalini, Jaishankar and J. V. Somayajulu in lead roles. The film had musical score by V. S. Narasimhan

Raghu, an atheist archaeologist, and his father goes to an isolated village for research, his father disappears mysteriously and Raghu finds out a strange prophecy : God will come to earth on Purnima day at the Nagakali Amman temple and the people who will submerge completely under the waterfall near the temple will be cured of any disease. His colleague Pathma informs her blind Journalist friend Divya and the news reaches the public. Pathma is in love with Naveen, in the final stages of cancer. Soon, an atheist terrorist group, led by Saravanan, try to destroy the temple. Saravanan's sister and brother-in-law were brutally killed by the temple's donor. Police officer Hari, Divya's brother, is charged with eradicating the terrorist group. Pathma believes in this prophecy, gets married to Naveen and takes him to the temple. Divya compels Hari to come with him to restore her sight and he agrees. A race against the clock starts.

A small village in Tamil Nadu faces water scarcity. The film highlights the plight of the villagers and the sufferings they endure at the hands of bureaucrats when they try to resolve their problem.

The story revolves around the portrayal of the ten different avatars of Lord Vishnu namely Matsya, Kurma, Varaha, Narasimha, Vamana, Parashurama, Rama, Krishna, Balarama and Kalki.

A middle-aged upper-caste man, Malaichami, leads an unhappy married life but seeks comfort in a new friendship with a low-caste woman. However, their friendship leads to many rumours in their village.

Chinnathambi is a well-respected pillar of his village, dedicating his life to public welfare—but his devotion to duty comes at the cost of time with his wife, Seetha, who longs for a child. His younger brother Raja falls in love with Lalitha, the daughter of a corrupt shopkeeper who profits from exploiting the villagers. When Chinnathambi opens a fair-price cooperative store, tensions rise—and Lalitha’s father seizes the opportunity to drive a wedge between the brothers. As family bonds are tested by love, rivalry, and personal sacrifice, the women of the household stand at the heart of reconciliation. But when a twist of fate turns joy into sorrow, hidden truths and quiet acts of love begin to shape the future of both couples.

Rangachari unearths the buried coffins of the historical figures, Mohammed Bin Tughlaq and Ibn Batuta, only to find that both of them are alive owing to a secret herbal treatment.