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In the form of a diary and drawing on a wide range of literary references, Arnaud des Pallières delivers a critique of late capitalism and the spectacle-driven world through an examination of the famous park and its societal offshoots.
She had been a director. He had been a film critic. Lockdowned in their flat, rue des chaufourniers, he begins to carry out household chores, which she would take charge of criticizing.
