Tetsuya Watari

Tetsuya Watari

Acting

December 28, 1941 — August 10, 2020
Awaji Island, Hyōgo Prefecture, Japan
87 movies

Biography

He graduated from Aoyama Gakuin University. Watari belonged to the karate club at university. He made his screen debut in 1964, in Isamu Kosugi's Abare Kishidō, and received one of the Elan d'or Awards. At Nikkatsu, Watari appeared in such films as Tokyo Drifter and the Outlaw series. Watari was mentored at Nikkatsu by Yujiro Ishihara. When Nikkatsu shifted to focusing on Roman Porno films in the early seventies, Watari was one of many actors who left the studio. Watari was due to play the mai...

🎬 Tetsuya Watari's Filmography

87 movies sorted by popularity

It Is a Long Walk
7.5

Screen icon Sayuri Yoshinaga stars in this historical melodrama about geishas in the southern city of Nagasaki set during the 1920s. Though she was sold to a geisha house at a young age, Aihara (Yoshinaga) has since become a master samisen player and woman of great elegance. Though not especially rich, she doles out money to street kids, in particular, a pretty young flower vendor named Oyuki, who becomes Aihara's godchild of sorts. Yet when a geisha (Reiko Takashima) from a rival red-light district insults Aihara and her brethren, she fights back. Soon an all-out geisha war looms. Dapper businessman and amateur scholar Tojiro Koga (Tetsuya Watari) appears on the scene and defuses tempers -- suggesting that difference be settled through a competition of artistic abilities. Smitten with her talent and mature beauty, Koga invites Aihara to record Nagasaki folk songs before they disappear forever

It Is a Long Walk

2000
Goryokaku

After the fall of the Tokugawa Shogunate, there was a series of battles fought while the former supporters of the Tokugawa shogunate retreated to the north where they actually started a sovereign nation that was recognized by more than one European country. Survivors of the Shinsengumi were among the followers of Enomoto Takeaki who took them to the northernmost island of Ezo where they fought their final battle at the star shaped fort, Goryokaku. The Japanese Civil Wars fought in the name of the emperor signaled the complete end of the feudal system and Japan’s entry into the modern world as those brave samurai tried to halt progress and learned that the age of modern warfare and weaponry had passed them by. Swords were no match for rifles and cannons, nor was any man a match for the power of the imperial flag. Japanese loyalty to the emperor has long defined the nation and culture despite the changing times.

Goryokaku

1988
The Aftermath of War

After World War II life in Japan was hard. There was lawlessness, rapine, never enough food or money. One girl, raped by three men, called out the name of Kentaro before she died and this was something that people in this small section of downtown Tokyo remembered. Life went on, however, and local boss Hiramatsu Daizo decided to build a market, aided by his daughter Aya. They met opposition until one day a young man named Kentaro appears who it is rumored he was the vengeful lover of the murdered girl. He lives with Sabu and Yukari, the children the girl looked after before she died, and helps with the market, coming to the rescue with a bulldozer when Daizo is threatened by a rival group. When Daizo is finally killed, Kentaro carries on the work. Finally the market is completed, the rival group makes a last stand but is machine-gunned down by Kentaro who, after saying that he was not the one whose name the dying girl called out, leaves town for good.

The Aftermath of War

1967
The Wild Sea
10.0

Yoji Kitami, a fisherman's son, is a student in Tokyo. His father had died at sea and Taichiro, his brother, is sending him to the university. But the outbreak of violence by radical students and blockade of classrooms make studying impossible and Yoji goes home. Fortunately, he meets Katsuyuki Shinoda, a childhood friend, who works on a whaling vessel. Yoji decides to join him and rediscover a meaning in life. But finding sidework on a whaler is not so easy and Ogaki, a veteran harpooner, curtly turns him down. But finally, deeply touched by Yoji's earnestness, Ogaki reluctantly agrees to take him with them. Rules are very strict, for even one slight slip-up may jeopardize the safety of the entire ship. For a long time, it seems like a living hell, but with patience and courage, he begins to learn the ropes. And the day they sight their first whale, Yoji comes into his own and finds the real meaning of life.

The Wild Sea

1969
Showdown at Nagasaki
8.0

When Keiji Takama returns to Nagasaki, he finds many changes. The rights of the entertainment field that had been held by his family have been taken over by the Matsui Group, a new gangster setup. So he becomes head of the Takama Group to regain lost territory. With the cooperation of all the Bosses from Tokyo to Nagasaki, who had known his father, Keiji recovers the rights to put on shows at the City Hall. As he had feared, however, Matsui begins to interfere with his plans. Keiji's men are furious, but he knows better than to take up the cudgels with Matsui at this important time. Whatever Matsui does, Keiji goes one better. Frustrated and bitter, Matsui calls in the help of Koiwa, a killer. Now, having tried his best to oust Keiji but finding that he is made of sterner stuff than he had counted on, he decides to have Koiwa do away with him for good.

Showdown at Nagasaki

1969
Tetsuya Watari | MovieMind AI