Michelle Bonnard

Winner of the Best Student Short at BAFTA qualifying Manchester Film Festival

When a battered boxer past his prime finds his dreams and his relationships on the ropes, he falls back in with a dangerous crowd and has to take the biggest swing of his life to reclaim his hope and his family.

On the outskirts of Birmingham and the margins of society the Billingham family perform extreme rituals and break social taboos as they muddle through a life decided by factors beyond their control. At times shocking and laced with an unsettling humor, three episodes unfold as a powerful evocation of the experience of growing up in a Black Country council flat.

The invasion of Iraq in 2003 brought a dramatic end to Saddam Hussein's brutal regime. But behind the headlines lay an even more extraordinary story of family and tribal loyalty, rivalry and betrayal. Inspired by interviews with Saddam's daughter Raghad and other key eye-witnesses, as well as extensive research, this drama gets to the heart of the dictator's tyranny and his eventual downfall.

A terrifyingly realistic counter-factual drama-documentary exploring the effects of a devastating cyber-attack on Britain's national electricity grid. Based on meticulous research and real government contingency plans, Blackout combines real and fake user-generated footage, CCTV archive and news reports to build a terrifyingly realistic account of Britain being plunged into darkness. What might happen if Britain experienced a nationwide power cut?

A look at global sex tourism, focusing on the situation in Venezuela and Thailand.

The darkness of postnatal depression threatens to overwhelm Susannah, but a chance encounter with Rupa might be the help she needs.

At the age of forty Dame Margot Fonteyn is considered to be past her best as a prima ballerina and Ninette de Valois is reducing her roles at the Royal Ballet. Then the exciting young Russian dancer Rudolf Nureyev, a recent defector to the West, comes into her life and her bed and revitalizes her career. Frederick Aashton creates a new ballet for them and they become the golden couple of the ballet world. However, Margot is married to Roberto 'Tito' Arias, a Panamanian politician of dubious repute who is not sympathetic to her calling and is probably faithless. When he is shot and paralyzed for life Margot must carry on dancing well into her sixties in order to pay for his costly treatment though she still collaborates with Rudolf in the occasional ballet.