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In February of 1918, in Boka Kotorska, the greatest uprising of Austrian sailors broke out. Forty warships, with 6.000 sailors, rebelled against the Austrian Monarchy. The uprising was bloodily crushed after two days, and it's leaders shot.
GDR tourism expert ObermĂĽller wants to instruct his deputy Hurtig in the management of the newly opened Schneemannbaude (ski lodge). However, he makes an embarrassing mistake beforehand. As a result, the entire staff, from the cook to the chambermaid, take a few days off over the turn of the year, while the first guests are already arriving. They have to roll up their sleeves and lend a hand, whether making the beds, working at reception or in the boiler room. Despite the improvisational skills of the ObermĂĽller/Hurtig team, there are a few minor compromises when it comes to service...
The Soviet boy Kostya is an enthusiastic radio operator. When fascist German troops occupy his home town, the 13-year-old is conscripted into forced labor. His hatred of the occupying forces grows, but he is too young to join a partisan unit. But then he comes across a badly wounded Soviet scout. Kostya summons up all his courage and takes on his dangerous mission.
During the Thirty Years' War, the camp-follower Anna Fierling, called "Mother Courage", travels the length and breadth of Europe with her covered wagon. She does not care if it's Catholics or Protestants she trades with as long as business thrives. She loses her three children as a result of the war: bold and spirited Eilif, sincere and upright Swiss Cheese and mute Katrin, who saves the children of Halle by beating a drum on a farmstead roof In wartime, the Fierling children's virtues prove to be deadly. Yet, Mother Courage, remains incorrigible. She will not have anyone "spoil the war" for her and so sets out once more after the soldiers with her wagon.
It's Saturday lunchtime in a small town near Munich and there's not much going on. The local bank is already closed, doors and windows are barred. The few passers-by in the main shopping street do not notice that a violent crime is being committed behind these windows. When the police later take up the investigation, a young bank employee becomes the only witness. His statements seem contradictory. And yet it is several other people who now have to struggle with conflicts of conscience. The more gaps in the police's chain of evidence, the more serious the decision to tell the truth and risk their own happiness. It's Saturday lunchtime in a small town near Munich and there's not much going on. The local bank is already closed, doors and windows are barred.
Children's book illustrator MĂĽller-Olbernhau has a secure livelihood in East Berlin. He and his wife Brigitte, who is very impressed by the "western glamor", are visited by Uncle RĂĽdiger Lorenz from the Rhine. Under their influence, he moves to West Germany, also annoyed by the publishing house and because, according to his wife, he lacks "pizzazz". There he was asked to illustrate comics with violent and cruel depictions for a Frankfurt publisher. He witnesses arguments between three other graphic artists and the publishing house manager. When he asks one of them, Hertwig, who is no longer "playing along", what he is doing now, he is told that he is going to a "real children's book publisher" in East Berlin. Brigitte is astonished: "Isn't that where we just came from?" As she looks at Leo in surprise, he writes on her forehead in lipstick: "That's it."
In 1896 the Berlin noble doctor Dr. Wilhelm Holtfreter takes over his well-to-do wife Mathilde and takes over the country doctor's office in the Prussian district of Westprignitz from the late Dr. Tochtenhagen. His decision was met with incomprehension everywhere.
A detailed reconstruction of the censorship case against the landmark Weimar-era communist film, Kuhle Wampe, or Who Owns the World? (1932). Directed by Slatan Dudow, the crew and cast included left-wing luminaries, such as playwright Bertolt Brecht, composer Hanns Eisler and balladeer Ernst Busch. The film was the subject of vehement disputes and was banned twice for revolutionary and communist tendencies that were perceived to threaten the state. About 230 meters of the original film fell victim to the censor’s shears. This historic censorship case was argued over the course of three sessions. Censored: Kuhle Wampe re-enacts the censorship hearings, based on original minutes and documents, as well as personal records of the case. In addition to footage from the original film, this docudrama includes original clips of Berlin in the 1920s and '30s and short testimonies, filmed in the 1970s, with some of the actors involved in the original Kuhle Wampe film production.
Karoline Gluth is approaching forty, has an 18-year-old son who is studying and is therefore independent. She decides to start a new life and says goodbye to the family inn on the island of RĂĽgen, where she earned a good living as a cook. She buys a little house on the outskirts of Berlin - based on a photo. The reality, however, looks less favourable than the picture. The house is close to collapse and has an illegal occupant, Christian. She evicts him, but he helps her through the jungle of organising tradesmen and materials. In the process, she meets construction brigadier Herbert KotbuĂź, clashes with him - and impresses him. Karoline struggles through, the money runs out, she even has to sell her car, and in the end the house is still pretty much a patchwork. But she has realised her ambition for herself - a new independent life begins.
The "Astoria", an English luxury liner, collides with a freighter shortly before the end of its voyage and threatens to sink. Captain Mitchell, successful and envied, sets in motion an expensive rescue operation. He manages to avert a catastrophe and bring the passengers and the ship to safety. But the shipowner considers the operation excessive, calls Mitchell a coward and fires him. His career seems to be over. When his friends and his fiancée also make fun of him, he devises a cunning plan of revenge.
The criminalist Hannes Bergemann tries to blackmail the city where he spent his youth. After many years returning to the familiar places of his childhood, he hopes to meet again his old friends, especially Fred, Helmuth and Richard, with whom he had a close childhood friendship. When confronted with a murder shortly after his arrival and given the task of investigating it, he has the painful experience that his friends are involved in the case.
This biographical film is set in 1937, with Fallada suffering the effects of living under a microscope. The film details his decline, as he is intermittently imprisoned and threatened in order to motivate him to write for the Fatherland. Even the attention of his kind, patient wife and loving children begin to feel oppressive to him. This is one of the few films to take a serious, in-depth look at the tribulations of a creative artist pulled in all different directions by the real world.
During the October Revolution in 1917 the Bolshevik Party appointed a woman commissioner of the “Free Anarchist-Revolutionary Section”. This regiment emerged from an anarchist division of the ship of the line “Imperator Paul I.”
A few Conti Press journalists are granted exclusive coverage of the launch of the newly developed Skylight 3 intercontinental ballistic missile from the CBA rocket center. But the test ends in disaster. Parts of the rocket break loose and the head, armed with napalm, drifts off uncontrollably. Former pilot and star reporter Pit Nordfors succeeds in uncovering the scandalous background to the false launch. But the Conti Press retracts his article as it turns out that the CBA is a major shareholder in the newspaper group. Nordfors soon gets the opportunity to beat the powerful with their own weapons.
