Estrela Novais

Guinea-Bissau: Portuguese Colony, year: 1973. An Ex-military returns to his hometown. Bringing back with him a vague sense of guilt due to the killing of two men (a soldier and a native) by his sounding of the alarm during one given night.

Thirty-something Vítor still lives with his mother, Fátima, in his grandmother Júlia’s apartment. Fátima is a hairdresser with a quiet disposition who, at night, fantasises about the policeman who has just moved in next door. By day, Vítor is a lowly employee on a TV show. But at night, he dons his neighbour’s uniform to win the favour and satisfy the desires of a boy he’s met online. In her retirement home, Júlia is unable to sleep at night and has long forgotten what drugs she is meant to be taking. She misses her dead husband, who manifests himself in the body of a living friend, and gets involved in her daily activities. Through these characters, Diogo Costa Amarante constructs a fascinating portrait of lives lived while desires remain unrealised.

Dona Elvira promises to get a job from José through the typical Portuguese wedge. In parallel, they are bizarre aspects and eccentric figures of the city life, including the tragedy of the actress Maria Alves.

Felizbela loves her husband with obsessive intensity, surrounding him with an explosive mix of passion and jealousy that will inevitably turn into hatred. To keep his attention, she stops at nothing, enduring suffering and humiliation in an attempt to win back his love. But Messias can barely conceal his growing disillusionment with life and his unspoken contempt for his wife. One day, Bárbara — Felizbela’s fragile and rebellious niece — bursts into their lives and upsets the balance: her cousin, her aunt, and above all Messias, who finally allows himself to be carried away by his emotions. Felizbela, however, refuses to give in — and will do whatever it takes to save her family.

Six characters cross paths in Paris and Lisbon.