Alexander Lang

Dammbeck made this film – a reference to the myth of Icarus and a metaphor for failure, hope, and human exploration – at the invitation of the legendary animator Kurt Weiler. It’s the first example of Dammbeck’s experimental, grotesque, surrealistic style of animation. The idea of flying, which Dammbeck uses here for the first time, will reappear continuously in his next films. THE TAILOR OF ULM established Dammbeck’s reputation among East German animation directors.

Sunny is the singer of a band trying to establish itself in the East Berlin music scene. They play regular gigs in small towns, but Sunny feels out of touch with the audience and with her life as a whole. She begins a relationship with Ralph, an amateur saxophonist and philosophy student, who writes her a very personal song—but his obsession with death and unfaithful lifestyle are not for her. After getting into a quarrel with a band member who harasses her and telling off a show host, she is thrown out of the band. Abandoned, she struggles to regain control over her life.

Europe in 1793. For years, England and France have been at war with each other. Now, France sends three men to the British colony of Jamaica to organize a slave revolt. The envoys are Debuisson, the grandson of a Jamaican rum manufacturer, who knows the island very well, his old friend Sasportas, and the sailor Galloudec. After having established contact with the fragmented rebel groups, they receive the surprising news of Napoleon′s takeover in France. Whereas Debuisson, who by now has gotten used to his role as a rich heir, wants to wait for new instructions from home, his companions are determined to press ahead with the revolt. When a slave kills a British guard, the situation escalates.

A documentary about German director Konrad Wolf (1925–1982).

High-school senior Peter considers the adults around him to be hypocritical, self-congratulatory, and immersed in the past. He gets suspended for writing an essay that his teachers consider to be a challenge to the state. Just Don't Think I'll Cry became one of twelve films and film projects-almost an entire year's production-that were banned in 1965-1966 due to their alleged anti-socialist aspects. Although scenes and dialogs were altered and the end was reshot twice, officials condemned this title as "particularly harmful." In 1989, cinematographer Ost restored the original version, and this and most of the other banned films were finally screened in January 1990. Belatedly, they were acclaimed as masterpieces of critical realism.

The young officer Count Yorck von Wartenburg - he bears one of the most famous names of the German past - awaits his execution as a participant in the conspiracy of July 20, 1944. Von Wartenburg, together with his comrades, suffers infinitely long days of terrible torture, disrespect and humiliation as a death candidate. In a dream, he experiences his escape and the real continuation of his fight against fascist barbarism, for which he must detach himself from his class and is involved in the anti-Hitler front by communists and the Soviet army.

Fred works as an engineer and a test driver at a car company. His girlfriend Petra is a car mechanic - actually an ideal combination. However, the old-fashioned Fred is less than thrilled about his girlfriend’s "male profession". In his opinion, the masculine job damages her femininity. Since Petra is unwilling to give up her beloved job for such stupid concerns, there is a lot of friction between them. It is not until Petra turns the heads of all the men at a fair that Fred realizes how absurd his objections really are.

After meeting the woman on the train Erwin Retzmann kills her in the forest.