René Schoenenberger

Sarah and Michael have swapped their house in Australia for a cottage in rural Cornwall via a house swap website. The change of scenery is intended to mend their damaged relationship. But complications arise right at the handover: Their swap partners Olivia and Fergus are running late, so a personal tour of the house is not possible.

In 2012 German Bundespraesident Christian Wulff declares his resignation in the great hall of Bellevue Palace. At the side of his wife, he had to face the pressure of the media for 68 days while struggling for office of head of state of the Federal Republic of Germany.

On the 200th anniversary of Karl Marx's birth, the docu-drama paints a multifaceted portrait of the most influential German thinker of modern times. The world-famous actor Mario Adorf embodies the equally contradictory and contradictory world spirit, in the dichotomy of prophetic confidence and fear of failure. An exciting cinematic journey through his life and work.

Anouk, a woman in her late 30s, a copywriter from Stuttgart and who has traveled the world, bumps into Heiner, an architect, who is in his mid-40s, in Berlin. The two meet in spontaneous longing for a different, a new life.

Harry, a timpanist and pyromaniac, and Ginamove into the same apartment due to Hamburg's housing shortage. This is the beginning of a wonderful enmity, with Harry, who has been tried and tested in marital warfare, and relationship terrorist Gina proving to be quite equal opponents.

Schroeter's virtuosic staging of the Oscar Wilde tragedy is a complex montage of image and sound, filmed on the grand steps of Baalbeck, the ancient Roman temple in Lebanon, and interweaving Lebanese and German folk songs with the music of Verdi, Wagner, Strauss, Mozart, Bellini, and Donizetti. Elfi Mikesch, the cinematographer of Schroeter’s later films, designed the film’s sumptuous costumes. A contemporary critic for Le Monde wrote admiringly of Schroeter’s depiction of "the deadly struggle between dark Christian morality and luminous paganism.“

Collage of dramatic scenes, some exaggerated to comic effect, with asynchronous sound from well known classic, operatic, and rock and roll music – with different approaches to love, suffering, and death.

Young blonde translator Rebecca lives with her boyfriend ski instructor Marco in a mountain villa owned by her friend, nurse Laura. Rene, local cinema projectionist, steals Marco's car and gets into a car crash with local Theo, whose daughter, after being in coma for a time, dies. Rene suffers from partial short term memory loss and starts a relationship with Laura. Meanwhile Marco is looking for the man who stole his car and Theo - for the man who killed his daughter...

It's the roaring twenties in Berlin. The Tigress, a gorgeous, wild, and very independent street walker, falls for a handsome grifter. When one of her lovers gets jealous, she betrays him and has to skip town. The grifter reveals he has what it takes to move in upper class circles and suggests they flee to Carlsbad, a spa in Czechoslovakia. Does he love her or is he only using her? Is the Tigress madly in love with him or does she want to satisfy her vanity and drop him once he falls for her? The ancient cat and mouse game between a man and a woman unfolds amidst sensual seduction, the scheme of robbing a rich Texan and the jilted lover arriving from Berlin, gun drawn.

After Roy's demise, five friends try to reconstruct his life by reading through the late editor's notebooks - only to face some very personal demons. The Holy Bunch is a modernist melodrama: beyond-Antonioni in its images, decisively Dreyerian in its spirituality. One of German cinema's few modern (or Modernist) masterpieces.

A young Russian man arrives in Berlin in search of a woman, but becomes entangled with two others one of whom falls in love with him and another who represents a classic Russian heroine like out of a novel from one of his countrymen idols.

Sabrina Wellington has been running a small, romantic hotel on the south coast of England since the tragic death of her husband in an accident. Due to the urgent need for investment and the poor booking situation, all financial reserves have been used up and Sabrina urgently needs another loan from her bank to avert the threat of bankruptcy. On her way to London, she unexpectedly meets her childhood friend Lisa, who left her home country some time ago and until recently worked in a law firm in London. She has now resigned because she has realized that her boss Vince Stevens appreciates her as an employee but has no other ambitions. The two spontaneously decide to swap their "lives" for a short time: Lisa takes over the management of the hotel in Sabrina's place and Sabrina moves into Lisa's apartment in London and tries to reorganize her life.

A romance directed by Franz Josef Gottlieb. It follows "The Perfect Marriage".

"Desire Caught by the Tail" - One can not understand this piece as meaningful and meaningful unity and should be careful not to read too much into it. Picasso himself said he wanted to suggest sensations through the verbal sound itself.

For decades, "Soups Hansen" was on everyone's lips, but now threatens the old-established operation of the end. The reasons for the decline are homemade: in modern times the tastes have changed, the soup of the idiosyncratic manufacturer unfortunately not. The bank wants to save the traditional house, but the new loan is subject to one condition: company boss Theo Hansen must hand over the business to his son, who now cooks his own soup ... Edzard Onneken staged this comedy with Günther Maria Halmer in the role of aging patriarch who can not let go.

Mid-fifties Anne Marie Fuchs lives modestly and withdrawn in Düsseldorf. When a murder happens, it becomes clear that the inconspicuous lady, who is always in short supply, seems to be an absolute investigator with a razor-sharp mind. No wonder, because Anne Marie Fuchs is a former East German spy, especially one who still has a bill from her active time open.

Lucy, a privileged North American in contemporary Berlin, living a life of post Punk hedonism, roams the streets with her best friend, Derek. Together they use the city like a playground, a stage, and a never ending party. Into their lives enters Galia, a young Israeli woman carrying the promise of a better, cleaner way of living. A tribute to Punk underground films turns into a melodrama in "Saturn Returns", mirroring Lucy and Galia's modulating states of mind. Our and their look into each other's life and culture, becomes an investigation of empty facades. The film was constructed by both improvised and pre-scripted scenes, as required by the nature of each scene.