Bernadette Stern

In the 18th century, Louis de Bourguignon is working with the Malichot's gang, but their ways are too 'unethical' for him. He creates his own band, acting under the name of Cartouche, making audacious robberies of the rich people, and even distributing the takings with the poor. Thus, cartouche attracts the people's sympathies, Venus's love, and hate from the Police and Malichot... Cartouche can escape all the traps they set at him - except the entrapments of love. Eventually, he will be saved by a woman, at her own cost.

Inspector Bérurier, having inherited a mansion three years earlier, comes to collect rent from the tenant when the latter is murdered under mysterious circumstances. Béru calls Commissaire San Antonio to the rescue, and the two men discover that Laurenzi's hotel is home to a "brothel" whose director, Madame Albertine, soon reveals to the two policemen that Laurenzi was having an ongoing relationship with Helga, one of the boarders, and Mr. Max, a regular guest of the house.

Gabriel Pelletier, sales manager for a major industrial firm, would be the happiest of men if he didn't have a family of rare originality. The day Gabriel Pelletier is asked by the firm's management to welcome and accommodate an important American industrialist who has come to Paris to handle a major contract, he realizes the difficulties that lie ahead. How will Mr. Strumberger, who has the reputation of a fierce puritan, react to the behavior of the various members of the family?

Two young girls experience awakening sexuality in the heated atmosphere of a Swiss girls' boarding school.

Monsieur Gentil runs a perfume factory. He is a shy man, bullied by Madame Marthe, the manager, and spurned by Cléo, the young travel agent he is in love with. He 'd rather be a tough guy than a wet blanket and his meeting with Durante, a gangster, will be decisive. Considering him a providential piggy bank, Durante, following the advice of his boss Spinosa, entrusts the" education" of Gentil to two experts, Perrugo and Bersone.

Henri Verdier, a young bank manager, has made the acquaintance of Karine, a model of great beauty. Robert, who claims to be Karine's brother, forces Karine to introduce him to Verdier. This is to offer him an urgent business deal: 50 million for a uranium purchase which, within a few days, should yield double that amount. Blinded by passion, Verdier accepts and "withdraws" the necessary sum from his bank. He soon realizes he's been duped. Karine is not Robert's sister and Robert is a crook. Verdier tracks them down.

This puzzling experimental film is written and directed by Raymond Rouleau, who uses effects like changing color tones and masks to put across a drama within a dance drama. The set is a sound stage and the actors in this film are dancers on the stage, performing a mime-ballet derived from one particular legend. Both the enacted legend and the actual events affecting the dancers are parallel. The lead dancer Isa (Ludmila Tcherina) is still nursing her wounds after her first love left her to stand alone at the altar. Now one of the dancers wants to expand his relationship with Isa -- and soon after, the cad who jilted her suddenly shows up again. Tragedy follows closely behind.