Vinicio Diamanti

Two gay men living in St. Tropez have their lives turned upside down when the son of one of the men announces he is getting married. They try to conceal their lifestyle and their ownership of the drag club downstairs when the fiancée and her parents come for dinner.

An insatiable nymphomaniac with a wheelchair-bound writer husband finds that her lurid exploits rejuvenate his creativity and libido, but soon enough, all of her lovers end up being murdered by an unknown assailant.

Rome, Italy, early 1980s. A guy who worked at the Blue Gay, a transvestite cabaret, is found murdered, strangled. Marshal Nico Giraldi is responsible for investigating, infiltrating the Roman Gay community.

In Rome's notorious gay club, the Alibi, men date, love and quarrel. Meanwhile, on stage, the classic drama of Salomé is played but with surprising variations, In the end, a clown goes out through the city's streets saying a monologue that explains it all, while satirizing the bourgeoisie.

While his girlfriend recovers from a medical procedure, a corrupt lawyer becomes entranced by the grand visions of a mob boss.

The German philosopher Friedrich Nietzsche and his Jewish companion Paul Ree meet a beautiful young Russian intellectual and draw her into a ménage-à-trois.

A moralistic judge declares war on pornography. His gay nephew, who lives with a transvestite, tries to save himself and also protect his friend Ana, a porn actress.

Jennifer is a melancholic and romantically unsatisfied transgender woman who lives in a small apartment in Naples. Meanwhile, a serial killer is targeting the trans residents of the neighborhood. Jennifer spends each night listening to the radio and waiting for a phone call or the return of Franco, an engineer who left Naples for work and who Jennifer previously had a relationshp with. The phones in the neighborhood are unreliable and lines are frequently crossed. Anna, another transgender woman who lives in the same building visits Jennifer's apartment one evening, believing that Jennifer is receiving her calls. The two strangers talk and wait for the phone to ring.

Nino is a pianist, he runs into Valentina in the underground and falls for her. Valentina is rich but she tells nothing to Nino who is proud. Andrea was the boy of Valentina before Nino and wants to marry her for her money. Nino leaves Valentina when he finds out that she is rich while Andrea, turned down again, kidnaps Valentina.

Two minstrels singing for their supper in Rome discover they've both been lovers to the same woman, and one of them is the father of her infant son; a privilege neither is willing to concede.

The exploitation of young men as prostitutes in the district around the Roman coliseum is the focus of Simon Bischoff's documentary and fiction piece that spares no close-up view of male anatomy. This latter trait reveals just as much about the tenor of this film as it does about the body. Several years earlier, Bischoff met the main 17-year-old protagonist here, "Er Moretto," when he was just a 13-year-old runaway. The intervening years show how he changed into a streetwise vendor of sex, and Bischoff also details how the 17-year-old is picked up by a middle-aged man to be his companion. Fiction segments do not fare as well as the documentary aspects of this work, which in the end, seems at least ambiguous, if not questionable, in its intent.

Leo has a dream: to make a movie in the great outskirts of the metropolis (Rome). He does anything for money, including selling cocaine. But his dream vanishes in the night when the police catch his friend.

A recollection of a night spent walking the streets of the Eternal City, following the steps of two young boys: Vlad, a modern Romanian boy of life, and Cosimo who has just moved to the city. Both cross the city from head to toe in search of redemption, liberation or perhaps a place to hide. To find it they will go as far as the sea, as far as the body of a young prostitute, but they will find it, perhaps, only in the feeling that brings them together and binds them.