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This film is a fifteen-minute long take of a naked 70-year-old body lying in a semi-slumber on a bed. Moi. will be shot in a studio over three days. We will hear the presence and reflections of the film crew and a few inner voices from this sleeping body. The continuous duration of Moi. is a documentary performance. The film is a film in the making.
After a violent car crash, Marilyn must take care of her man, who suffers from severe head trauma.
This comedy is about a MĂ©tro worker, Jules, who penned seventeen unanswered letters to France's Minister of Transportation protesting being fired. When he learns that the Minister is to appear in person at the Lyons station to dedicate a new rail line, Jules is there hoping to speak with him in person; he carries a concealed gun and when he is unable to speak to the Minister, the normally mild Jules snaps and takes an entire train car hostage
Independent Parisian doctor Annie finds herself in an emotional tangle when she tries to help single-minded HIV-positive patient Laurent and embarks on a brief affair with conceited actor Richard.
The lives of three people faced with an uncertain future. Marguerite, 17, is uncomfortable with her family enviroment and turns to God. Claire, who desperately wants a child, encounters again a former lover. Eva asks the unemployed Jacques, who has been left by his wife and his daughter, to find a missing friend.
Two lost souls are wandering through the streets of Paris.
As the title suggests, Père et fille tells the story of a father growing up alone with his daughter after the premature death of the mother. If the premise is sad, director Quentin Papapietro manages to build a comedy in which the feeling of heartwarming fatherly love is staged with intelligence, and a great sense of cinema. With humour and a hint of absurdity, Père et fille offers a new way to consider family films.
The story of a few couples who have arrived at a point of no return whose history will cross, mingle or fall apart.
Whilst their game of tennis first looked as boring as usual, Pierrick and Alexis, two 30-year-old men who you wouldn’t call athletes, suddenly find themselves incredibly gifted players.
