Adela Legrá

Amor Crónico follows Grammy-nominated, Cuban-born CuCu Diamantes as she embarks on a whirlwind tour of her home country. Interweaving glamorous live performances with a fictional romance, the film pays tribute to the history of cinema in surreal fashion. Backed by a high energy Latin soundtrack, Cucu's journey is a visual love poem to the sites, sounds, and people of Cuba.

An American lesbian in Cuba explores gender through dance and film, blending personal experiences and cultural symbols with music and Revolutionary cinema and questions how lesbians fit into Cuban cinema.

When his father dies, a Cuban man who was raised in the United States, learns that he was not abandoned by his mother but illegally taken out of Cuba. He goes back to the island and is helped in his search by a cousin and a taxi driver.

Traces episodes in the lives of three Cuban women, each named Lucía, from three different historical periods: the 1890s, the 1930s, and the 1960s.

A documentary about the 1968 film Lucía, featuring its director, Humberto Solás, and members of his cast and crew.

In Havana in the nineteen sixties, there were 140 movie theaters. Only a dozen remain today. For ten years, the cinema industry was a pillar of the Cuban Revolution, but the regime’s hardening and the economic recession precipitated its decline. Fifty years later, only a dozen movie theaters are still running in Havana, while a new generation of bold filmmakers struggles for the very existence of Cuban cinema. In the Heat of the Cold Years tells the story of Revolutionary Cuban cinema through the memories of a choral of elder filmmakers, such as Luciano Castillo, the director of the national film archives, as he scrambles for the preservation of this crumbling cultural legacy, and through a group of young Cuban filmmakers struggling to make their first feature film.

In Santa Fe de Tierra Firme, an imaginary Latin American country, the indigenous dictator Santos Banderas rules with an iron fist. A group of rebels trying to seize power by force while some liberals try a change of government legally.

During the last days of the struggle against dictator Fulgencio Batista, a young peasant woman joins the guerrilla in the Sierra Maestra.

Director Humberto Solás, along with the leading ladies Raquel Revuelta, Eslinda Núñez and Adela Legrá, recall important moments of this classic of Latin American cinema, 'Lucía' (1968).

Two Basque brothers and businessmen try to save their family heritage from imminent ruin. They believe they have found the solution in a quick deal: they will exchange the stock of elvers from their small local business for Cuban cigars bought in Cuba. But the charm of Cuban women and the greed of the self-styled businessmen threaten to disrupt everything.