S. Emrah Özdemir

A young art teacher hopes to be transferred to Istanbul after completing his mandatory duty in a remote village school in Anatolia. After accusations of inappropriate contact with a student surface, his hopes of escape fade and he descends further into an existential crisis.

Nazire, in order to take back her child who was sent to an orphanage, puts up a tough fight against both the bureaucratic system that offers her child conditions she cannot overcome, and the rich foster family who wants to adopt her child.

In Istanbul, on the verge of a country-wide power surge, four characters come across in a neighborhood undergoing the process of gentrification for the “New Turkey”: a mother whose son is in prison, a young female dancer, a feminist artist, and a cunning middle man. Their stories intertwine during a drug deal, offering a roaring tale of the contemporary generation.

Facing imminent eviction, an idealistic young photographer and her hapless roommate attempt to sell her work to galleries for the first time, embarking on a bumpy journey through the collapsing art market of Istanbul.

After his mother's death, Hakki, who has hidden his homosexuality from all other family members except his mother, must confront the life he left behind when he returns to the family home he hasn't visited for many years.

A supernatural encounter burdens the recently retired Mr. Melih with an existential awakening. Soon he, his wife, and their daughter are all haunted by the "ghosts" of lost opportunities, abandoned dreams, and alternate possibilities -- literally...

A sarcastic, erotic, and tense gaze into the private, professional and social lives of Istanbulite artists whose lives intertwine with fiction.

Nesrin, a single mother who lives with her four-year-old son, struggles with her ex-husband Ömer’s oppressive behaviour and bureaucratic hardships while she is on the brink of making a critical decision regarding her relationship with her boyfriend Selim.

A grieving woman wanders a vast, maze-like shoe store holding a black shoebox she cannot bring herself to let go of, haunted by fragments of a lost love, resigning herself to the uncertainty of Schrödinger's paradox.

Dilan works in her uncle's real estate office and lives with her mother. She will turn thirty soon, and feels she is not living up to her potential. A documentary crew follows her while they try to figure out the problem.

Several directors from countries of the region were invited to create stories taking place in and around the beautiful city of Istanbul, in the vein of “Paris, je t’aime” and “New York, I love you”. They come together to remind viewers that Istanbul’s history does not belong only to the people of Turkey.

The set of the series Dalgalanır Karadeniz (The Black Sea Waves) comes to a halt when director Enver notices that the wall paint is incomplete. What is said during the five minutes it takes to finish the paint job, and what remains unsaid?

The story of three survivors of a refugee boat accident. Hazel, a young Syrian woman, finds herself trapped between cultural traditions and family responsibilities. Hamza, after being released from prison, struggles to reconcile with his past while trying to build a new identity and life for himself. Meanwhile, Khaled, an Afghan refugee, survives by working as a shepherd in a small village, but his love for the village headman's daughter clashes with the rigid traditions of the community.

Late at night in a small Turkish town, a young couple tries to find a hotel room to spend the night together. They are rejected from all hotels for not having a marriage certificate. Once they believe they’ve found a trick to use, the situation gets out of hand.

With Istanbul mired in political violence, Kadir is offered release after 15 years in prison if he’ll work as an informant. In a shantytown he stumbles upon his brother Ahmet, working for the city rounding up stray dogs and shutting himself in his home.

Yılmaz is the dealer and close friends of famous filmmakers and actors. With the increasing drug operations in Istanbul, Yılmaz is getting paranoid about not being loved by them anymore. This paranoia makes him take bigger risks day by day and he will be destroyed by the desire for being loved.

The only memory Morî has of her father is the audio recording of a story he told her. Morî listens to this story from time to time. One day, a new teacher comes to school. When Morî sees the teacher, she thinks he is her father. Morî's persistence on this point eventually leads to an emotional bond between her teacher and her.

In the heart of Istanbul's prison, Zakir controls the letters prisoners receive. His average day is spent between the censorship office, his colleagues and his evening writing class. For a writing assignment, he steals a photo from one of the letters, in which appears Selma, an inmate's wife. More than an inspiration, she becomes an obsession for Zakir. He observes her, makes up stories, and imagines the worst to the extent that he puts himself at great risk.

Ayça and Hama Ali are together in spirit, but divided by geography. With the outbreak of the Iraq War leaving him stranded, she embarks on an odyssey from Turkey to be reunited with him.

Dian (Lisa Surihani), a sweet and naïve blogger, travels to Istanbul in hopes of convincing her medical student boyfriend Azad (Tomok) to propose to her. She rents out an apartment, not knowing that it is already leased to quirky and shy artist Harris (Beto Kusyairy). Despite the unwanted roomate, Dian tries to make the most out of her sticky situation and conceal it from Azad. But when Azad eventually finds out and leaves her, Dian has to decide whether she should run and fight for Azad or stay and discover if Harris is the one who is meant for her.

Eyüp’s most difficult journey begins as a taxi driver when he takes a passenger who is on his way to kill his wife.

Rimo and Zimo are two towns that are not very far from each other, divided by a small desert. Both towns’ people have stayed away from each other for a long time, feeling mutual hatred and fear. One day, two little rascals from Rimo, Bızdık and Minnik, decide to go to the desert for an adventure. Meanwhile, the Zimo Family enjoys a family picnic at the desert with their baby egg and little daughter.

The film begins as a documentary about an author known for autofiction. By incorporating multiple making-of layers, it blends the process of making the documentary with the author’s narrative technique.

Cenk has just arrived back to Istanbul from the United States. Suppressed love slowly begins to resurface after he encounters Ece, a woman whom he had a romantic relationship with in the past. Suddenly, there is a robbery attempt in a quiet and gloomy house, which results in a crime being committed.

At Turkey’s oldest zoo, a lonely manager and a neglected female officer form an unlikely bond: as they hide the death of the zoo’s oldest inhabitant, an Anatolian leopard, in order to stop the privatization process and fake its escape, they set in motion an absurd charade that spins out of control. In Turkey’s grey and quiet capital, the ghost of the leopard persists.

Hilal, who thinks that she started working at a call center where both Republican and Islamic works are sold via telemarketing, will try to sell to her first customer at the end of the day.