Jonas Liljeström

In 1916, the officer of the German secret service Elsbeth Schragmüller trains the end-of-career exotic dancer Mata Hari as secret agent. Schragmüller has finally an ear directly in the influential circles of Paris, while Mata Hari can uphold her mundane life despite lack of engagements. Both have great hope for this intelligence mission.

On an impulse, 60 year old Charlotte leaves her husband stranded at a gas station in the middle of nowhere. A deep and driven instinct has her setting off, away from her old mundane life as a grandmother, a mother, a wife, and towards a new and different life. Little does she know that her granddaughter, Jo, a wonderfully whimsical child, is hiding in the back of the car. Charlotte’s spontaneous escape triggers off a journey, not only for her and her granddaughter, but also for her husband Paul and daughter Alex. As Paul and Alex pursue Charlotte and Jo across the countryside, they stumble into their own mishaps, self discoveries and emotional confrontations.

Guest Meier is every restaurant owner's worst nightmare. He behaves like Croesus when dealing with the staff. With his snobby and abusive conduct, Meier even manages to expel other guests from the restaurant. Meier sharply criticizes his ordered food after just a single bite and demands a completely new meal "on the house." The restaurant's chefs Harald and Tim feel their professional honor is grossly insulted. Together with waiter Peter, they discuss how to put this "problematic guest" in his place, working themselves meanwhile into a rage. Will diplomacy triumph over barbarous brutality or is violence sometimes indeed a solution? And what does an instant photo camera have to do with all this?

He described his love of art as his greatest inclination from his youth: Johann Joachim Winckelmann as a representative and rediscoverer of Greek and Roman antiquity. He was the father of European art history and was the victim of a robbery-murder in 1768. The documentary tells of his life, his work and his early death.

No description available.