Acting
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Young women in the Amazon are kidnapped by a ring of devil-worshipers, who plan to sell them as sex slaves. Some of the women escape, but are pursued into the jungle by their captors. The women must band together to turn the tables on their kidnappers.
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A mine boss hires a policeman to chase some runaways who stole a precious diamond.
Coffin Joe, the unholy undertaker, is back in town to continue his quest for the perfect woman, embarking on an even more brutal campaign of terror, aided and abetted by his hunchbacked assistant.
The Police are investigating a money counterfeiting ring. When an undercover agent suffers a disaster caused by criminals, a team joins the Highway Police to dismantle the gang.
Chief of Police Rui, a happily married man of principles, is in charge of investigating Joana, a teacher who's accused of political crimes. After some false starts, he manages to arrest her, but is startled to learn that she's also a nun. The revelation doesn't alter the natural course of events: he must torture her in order to obtain a confession, and gets increasingly attracted to her.
Angelo is sent to Brazil to organize a major robbery for an international gang based in São Paulo, led by the Countess, whose right-hand woman is Paula. Angelo has an amorous relationship with both women, causing jealousy and rivalry between them, which is the cause of the plan's failure and, consequently, the gang's arrest.
The rise of real life country singers Milionário e José Rico from their humble beginnings until musical success.
A naive boy who loves to sing while he works begins to become a big hit among girls. The boys of the town become jealous and begin to pursue him, when the prettiest girl in the area also becomes interested in him.
Orphaned young man turns into a werewolf on full moon nights, causing panic in a small country town.
A lone stranger, travelling alongside a cattle drive, passes his knowledge down to his long-lost brother.
Camillo Mastrocinque was one of many foreigners who came to Brazil in the 1950s to make films. The director of melodramas during the Italian fascist era directed this film, Areião (Inca Film, 1952), which could have spared Maria Della Costa. The film was renamed La priggione di sabbia to compete at the Venice Film Festival, but was rejected.
