Miguel Moreira

Amid dynamics of power, desire, and seduction, Ofélia follows two teenagers who discover their mutual attraction on the threshold between adolescence and adulthood, while simultaneously seeking to define their identity and place within an everchanging society.

1920s. Vitalino, a small farmer from São Vicente sees his father die of the epidemic which decimated the country. Some years later, of all the brothers, Vitalino is the strongest and takes his father’s place in the house. But the village is too small for his aspirations and he decides to head to Brazil, leaving his sisters in charge of the household. In parallel with Vitalino’s story, If I Were a Thief… I’d Steal portrays the world of Paulo Rocha rummaging through his films and ghosts over the years.

A compilation of films project multiple versions of people won by vida.

Pessoa famously published under many heteronyms: around 75 different names, each with fully fleshed-out backgrounds, styles, appearances and philosophies. Taking this a step further, Não Sou Nada gives flesh to these characters, all working together under Pessoa, enacted by Miguel Borges, at the publishing house The Nothingness Club.

A team-building event goes wrong and brings the owner of an architect studio face-to-face with the lower-class neighborhood that his company is gentrifying.

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Dreaming of great adventures and of standing up for his homeland, a young Portuguese man enlists in the army during World War I and is sent to the front line in Mozambique, Africa. Left behind by his platoon, he sets out on a grueling trek across the mystic Makua native land, walking for over a thousand kilometers, in search of his dream.

A writer immerses himself in his work La muerte del payaso and becomes a hostage of impossible dreams. Between crimes and hallucinations, between the gothic nature of night and the decadence of the sand, a hopeless story is told, based on the work of Raul Brandão.

A reserved student joins a radical organization in early 1980s Portugal and is shot and lynched following a bank robbery, while a filmmaker leaves the group to pursue guerrilla-style cinema.

Alone on the street and unable to get into her house, Amelia tries to stay calm. But when she is approached by a stranger, her problem becomes even bigger.

In 1983, little João Amaral Severo asks his father to go to the circus. His father, and army captain who had been recently widowed, refuses to take him under the pretext that the circus would draw his attention away from his studies. Ten years later João is a student in the Military College, and is tired of the harsh discipline imposed by his father and decides to join a travelling circus that stops in his hometown, Alcochete. From then on João, alone and free to live his life the way he wants, finds a world of magic, the love of Dolores (a young trapeze artist) and the family he never really had. Until a twist of fate turns João into a father...

Based on one of the short stories from the "Decameron", "The Convent Gardener" mirrors the story of Young Gardener Masetto and presents, in two separate parts, the story of a young man and a young woman who pretend to be mute in order to get a job as a gardener in a convent inhabited by several women and several men, respectively. Because the young gardeners are mute and, therefore, assumably unable to reveal the secrets of the convent’s residents, all the women living there take action to sleep with the young man just as all the men do to sleep with the young woman.

In oPorto there is a club, Imperatriz, where everything is permitted. A moment in which all intersect in the dark night.