Padmini Priyadarshini

The story of an Indian boy named Pi, a zookeeper's son who finds himself in the company of a hyena, zebra, orangutan, and a Bengal tiger after a shipwreck sets them adrift in the Pacific Ocean.

Baghdad Thirudan is a 1960 Indian Tamil-language swashbuckler film produced and directed by T. P. Sundaram.

The story revolves around Selvam, an easygoing youngster who befriends many girls without the intention of marrying any of them.

Ganesh's father is falsely accused of a crime and murdered in prison. Years later, his mother asks him to exact revenge against the culprit.

Chandru steals a diamond necklace to help his sister unite with her husband but things do not go well when he decides to replace the stolen one with a new necklace.

The Pandavas have to finish 13-year exile and hide their real identities until Vijayadashmi. Arjun's son, Abhimanyu, falls in love with Virata's daughter Uttaraa, but does not reveal his identity.

Children are exchanged by greedy aunt and uncle in childhood and they live undeserved lives.

Pattabhi Ramayya, who does not have any children, dotes on his younger brother and his two sons. However, trouble starts in their happy joint family with the entry of Rangoon Raja, a relative of Pattbhi Ramayya's wife.

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Paadha Kaanikkai (English: Offering to the feet) is a 1962 Tamil-language drama film directed by K. Shankar. The film features Gemini Ganesan, Savitri, M. R. Radha and Kamal Haasan in lead roles. The film, produced by G. N. Velumani, had musical score by Viswanathan–Ramamoorthy and was released on 28 September 1962.

A college sophomore, on a visit to his friend's village, explores a dilapidated and haunted villa, falls unconscious and learns completely about his past life of love and sorrow.

The life of Basava, a philosopher and social reformer from Karnataka who lived in the 12th century A.D.

Pazhani has two children — Chandiran and Meena. Meena is married. Chandiran loves Pankajam. His father and grandmother want him to marry a relative girl, Thangam, who is very helpful to the family. But Chandiran marries Pankajam defying them. Although brought in for comic relief, the ever-loveable J. P. Chandrababu and his milkman character became the real irresistible pull of this family melodrama. Director A. Bhimsingh—a rare talent to have successes in both South Indian and Hindi cinemas—masterfully blends lightness and pathos.

The movie revolves around a social issue, specifically the dowry system, and aims to create awareness against it.