Mária Egry

Az Aranyember (The Man of Gold) was based on a novel by Jokai, at one time Hungary's foremost storyteller. Set in the early 19th century, the story revolves around Timar (Ferenc Kiss), a ferryman on a Danish tugboat. Rescuing the daughter (Marisa Kormos) of a Turkish nobleman from a watery grave, Timar is rewarded with the girl's hand in marriage. Now rich beyond his wildest dreams, our hero finds he is unsatisfied; it seems he has never forgotten his true love, flower girl Noemi (Anna Fuzes). Timar is forced to suffer mightily until he is finally permitted a tender reunion with the girl of his dreams.

After a heart attack, landowner Ferdinand Kerekházy summons his son Ferko Kerekházy from abroad, who, to his conservative father's dismay, sends a wagonload of machines ahead to set up an irrigation system and turn the saline, barely productive fields into fertile ones. The old count doesn't want to hear about his son's plans, and wants Ferko to marry Baroness Zólyomi. Since his son refuses, he disowns him. With persistent work, and the support of the mayor and a young engineer from Pest, the irrigation plan is realized. When the old count, who is always dreaming of grandchildren, realises that his son and the mayor's daughter have fallen in love, he reconciles with Ferko and asks her to marry him.

Az Uj Foldesur (The New Squire) was based on a novel by popular Hungarian author Maurice Jokal, whose many works had previously been largely ignored. After the wars of 1848, a retired Austrian army officer "returns to the soil" as a gentleman farmer in Hungary in the 1850s. The old campaigner is the father of two daughters: One of the girls comes to a sad end thanks to the malfeasances of a handsome spy, but the other has a happier fate when she falls in love with a Hungarian POW. The underlying theme is brotherhood, as the formerly warring Austrians and Hungarians at last find a common ground. Az Uj Foldesur was nearly twice as expensive as the average Hungarian film -- but at $40,000, its budget was a drop in the bucket compared to a typical Hollywood production.

When young Tako's father dies in Hungary in 1945, Tako is left with scant memories of him. Nurtured by his mother, the boy fantasizes about the man his father was, imagining him a hero. Grown into a man himself, Tako falls for a Jewish refugee, Anni. Burdened by her own heritage as a Jew, Anni sparks in Tako a desire to find out what his father was really like, and he delves into the role his father played in World War II.

Dömötör, a headwaiter, and Rudi, his friend, a conductor, are dismissed. Later, they return as guests. Dömötör is seen sporting a false beard, now the spitting image of count Rod-Igor Su-Arezew, the world-famous lion-hunter.

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Lenke, a schoolgirl in Budapest, is in love with László, a middle-aged widower, owner of the estate in the neighbourhood of her own country home. She secretly follows him in Budapest, and they finally meet.