Vadim Novikov

The Killers is a 1956 student film by the Soviet and Russian film director Andrei Tarkovsky and his fellow students Marika Beiku and Aleksandr Gordon. The film is based on the short story "The Killers" by Ernest Hemingway, written in 1927. It was Tarkovsky's first film, produced when he was a student at the State Institute of Cinematography.

Ivan Brovkin finishes serving in the army with the rank of sergeant and, together with a group of comrades after demobilization, decides to go to the development of state farm. He arrives at his native collective farm and meets there a cool welcome: the chairman of the collective farm, the bride Lyubasha and mother — consider him a traitor. The planned wedding is canceled, and Brovkin leaves for the state farm. Brovkin comes to the state farm at the time of plowing the land. He joins the team. Winter passes after working days. In letters home he writes that everything is fine with him. News about how Ivan lives is spreading throughout the village. Lyubasha is seriously thinking about running away from home to the state farm...

1918 year. A woman commissar has been appointed from the Central Committee of the Bolshevik Party to the Russian warship Gromoboi, which is ruled by anarchist sailors. The leader of the ship is the anarchist Vozhak. The Commissioner was instructed to reorganize the naval detachment into the First Sailor Regiment. She faces a difficult task: to win the authority of the sailors and eradicate anarchy. Of the remaining officers on the ship — lieutenant Bering, who served in the tsarist fleet on the battleship "Emperor Paul I". He must become the commander and, together with the sent commissar, lead the regiment to the front in the Black Sea region.

The story of a boy who dreamed of becoming a pilot, but ended up in an artillery school. There he became the best cadet, and his dream of the sky still came true...

1935. Two families — Davydov's with three children and the newlyweds Lida and Dmitri Kashirin's — enter the new house on the outskirts of Moscow into a common communal apartment. The children grow up, and they and the adults around them are looking for their place in life, looking for answers to the questions of who to be and what to be, quarreling, making peace, building relationships, destroying them. Six years later, the peaceful lives of characters, with their joys and misfortunes, quarrels and reconciliations, and complex personal relationships, are blown up by a war that connects everyone at once, forcing them to see the meaning of their days, their attitudes to each other and their life values in a different way. For some of them, war is a fatal trait.

The film captures a period in the life of figure skater Ondrej Nepela, when in 1972 he returns with a gold medal from the Winter Olympic Games in Sapporo, marking the peak of his sporting career. At home, he is greeted not only with fame but also with the realities of the communist regime. Everyone treats him like a celebrity, but the sensitive Ondrej longs above all for an escape from this uncomfortable golden cage. He wants to live freely and in harmony with who he feels he truly is. Yet at the last moment, his promised chance to leave for a professional ice revue is forbidden, and he is ordered to compete in another World Championship. Disappointed, Nepela must find new motivation and also come to terms with the tragic death of his best friend, figure skater Hana Mašková.