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The Killers is a 1956 student film by the Soviet and Russian film director Andrei Tarkovsky and his fellow students Marika Beiku and Aleksandr Gordon. The film is based on the short story "The Killers" by Ernest Hemingway, written in 1927. It was Tarkovsky's first film, produced when he was a student at the State Institute of Cinematography.
A little Mermaid falls in love with a Prince whom she saves during a storm. Using all kinds of magical incantations in exchange for the Mermaid’s beautiful blue hair, a witch replaces her fish tail with human legs, making it possible for the Mermaid to walk and live on earth at the cost of great pain with every step she takes. The Little Mermaid willingly suffers through these trials only to be near her beloved. But the Prince, not realizing how lucky he is, becomes enamored with a beautiful but vain princess.
A documentary film about the oldest film school in the world, created to mark the centenary of VGIK.
Gennady Shpalikov. He was 25 when he offered George Danelia a script for the future film “I walk through Moscow”. At this time, Shpalikov was already finishing the script for Ilyich's Outpost for Marlen Khutsiyev! Both of these films will be called the manifesto of the generation of the sixties, the symbols of the era called "thaw". All his life he had dreamed of “The Quay” ... This script was his favorite work. But “Berth” was never staged "..." "There is no choice in the USSR. Or you drink, or you freak out, or you are not printed. The fourth is not given.
Vitya, a 40-year-old taxi driver who aspired to become a writer in his youth, leaves this dream after a series of failures. He lives quietly in a communal apartment with idle neighbors, delivers hated passengers all over Moscow every day. One day Vitya decides to pretend to be the mysterious Viktor Pelevin.
The documentary film "Cinematic Language of the Era: Marlen Khutsiev" is timed to coincide with the upcoming centenary of the master. In our film, talking about the life, work and dreams of Marlen Khutsiev, we focus the viewer's attention on the master's unique film language. And through cinematic language we reveal the director's personality.
