Gésio Amadeu

Docudrama on labor mobilizations in the beginning of the 20th century in Brazil, led by union organizations with anarcho-socialist influence. Using fictional resources and historical archives, the film reconstructs an important part of the memory of Brazilian unionism and its biggest strikes, establishing a dialogue between different working generations.

Otavio is an idealistic union leader trying to organize workers at a factory to resist the company's exploitative practices. His son, Tião, one of the employees, is more of a realist and doesn't want to risk losing his job by striking. This clash of perspectives puts the father and son at odds. Fortunately, Tião's mother, Romana, is on hand to act as a moderator between the two opinionated men.

Maria was born on April 21st 1960, the same date as the inauguration of Brazil's new capital, Brasília. The film shows parallels in the lives of both Maria and Brasília.

This documentary investigates the aesthetic, political and existential trajectory of emblematic Black Brazilian actor Antônio Pitanga. His career spans over five decades, and he has worked with iconic Brazilian filmmakers Glauber Rocha, Cacá Diegues and Walter Lima Jr. He was a prominent figurehead and outspoken activist during the Brazilian dictatorship, a period of unrest in Brazilian cinema. "Pitanga" deep dives into the world of Antônio and the history of Brazil. The documentary was directed by his daughter Camila Pitanga, one of widely recognised faces in Brazilian television and cinema right now. The film is also a poem, and a tender ode to fatherhood.

A film that records the rehearsals of a Brazilian theatre troupe directed by Victor Garcia, and then the conflicts that break out as they tour Iran and France with a performance of Calderon's autos sacramentales. A problem with a scenery prop sparks a crisis in the group and the film chronicles this disaster.

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The waters of the Atlantic brought the slaves from Africa to Brazil, their bodies in chains but their souls inexorably tied to mother Africa. This Brazilian- made film takes us to both shores, to show how spiritual life, dance and song came with the captive people and took root in the new soil. Among the many traditions were the language and gods of Yoruba and Jejes from the Republic of Benin. When a group of freed slaves returned to Africa to rediscover their roots they were looked upon as outsiders. They became tradespeople - tailors, accountants and builders- and they actually brought Portuguese culture to Africa. Today, when Brazilians revisit Africa, they teach the Africans the culture that these descendants of slaves keep alive in Brazil. The documentary is a testimony to some of the ironies of the diaspora.

Carolina gathers some old friends in her house on Paquetá Island, in Rio de Janeiro. She will find, among them, the boyfriend she had during her childhood and with whom she had exchanged vows of eternal love.