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In 1932, the writer Paul Nizan published "The New Watchdogs" to denounce the philosophers and writers of his time who, sheltering behind intellectual neutrality, imposed themselves as true watchdogs of the established order. Today the watchdogs are journalists, editors, and media experts who've openly become market evangelists and guardians of the social order. In a sardonic manner, "The New Watchdogs" denounces this press that, claiming to be independent, objective and pluralist, makes out it is a democratic force of opposition. With forcefulness and precision, the film puts its finger on the increasing danger of information produced by the major industrial groups of the Paris Stock Exchange and perverted into merchandise.
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Two couples, Chris Bailey and Judith Lazard, along with Paul Adler and Albertine Langlois, meet for dinner on the 9th of July 2006, the night of the Football World Cup Final between France and Italy. Their conversations wander from intimate subjects to substantial political comments in such an intricate manner that their personal lives and their perception of the ideological struggle, the battle for the leadership of the french left, are more and more difficult to differenciate. For six years, their political attitudes evolve with the changing image of themselves and each other.
At only 23 years old, Edouard Couret has everything to succeed: he is young, he is handsome, he is about to get married and, above all, he is running to become a Conservative MP. The only problem is that for the past three years, Edouard has also been in a love affair with Georges, a man who can't stand this situation any longer and who is going to put him up against the wall.
