Martin Oberhauser

Vienna, 1937, on the eve of the annexation of Austria into Nazi Germany. The young and inexperienced Franz Huchel begins to learn about both the joys and hardships of life by working as an apprentice to the mutilated war veteran Otto Trsnjek in a small tobacco shop, where he meets the famous psychiatrist Sigmund Freud, a regular customer, who will become a valuable friend in times of chaos and uncertainty.

Thank you for Bombing accompanies three correspondents to their working place in conflict areas and gives an insight into their daily routine aside from cameras and satellite phones - somewhere between bombing alarm, laundry and Bach flower therapy.

Sylvia (34) has every reason to be proud. On her son and on herself. After all, she raised Ben all by himself, and today the 18-year-old is an all-round successful boy. Ben knows about his conception only as much as that he is a child of pure love. He never knew his father, so he does not miss him either. Sylvia is his mother and closest confidant at the same time. But this trust threatens to break as Sylvia is caught up in her past and Ben has to learn that he is actually the product of a rape. Everything seems to be in question in one fell swoop.

A woman admitted in a mental health centre in order to overcome the death of her son decides to finish with her life. Her situation worries her husband and also her roomate, who is admitted in the centre although being in perfect mental situation.

Through his work at a morgue, an incarcerated young man trying to build a new life starts to come to terms with the crime he committed.

Driven by specters of his past, the chemist David Endresz works on developing a new drug called NatAct, which is supposed to heal a variety of psychological disorders. Gradually his doubts concerning the drug’s effectivness increase, but his boss, Viktor Kanzler, wants to redeem his father’s business by launching the product before approval. Journalists Miriam Seifert and Stella Wagner plan to expose the scandal about the drug and try to thwart Viktor Kanzler’s questionable intentions. Nevertheless a more and more torn David tests the drug on an unknown experimentee in front of investors and the press. Suddenly forces stronger than any individual’s intention take over and show how fate has connected everyone in the past.

German TV adaptation of Grimm‘s fairy tale “Iron John“.

Maria has been living in a retirement home in Vienna for almost two years, but she is far from finished with life. She tries to break up the monotonous routine with creative ideas, much to the chagrin of the prickly home manager, who wants to manage her oldies with as little stress as possible. However, the residents are grateful for any change of pace, and former bar pianist Jakob in particular loves Maria's boisterous vitality. He keeps telling her about his East Prussian homeland and his childhood friend Paul, whom he lost sight of after the war.

A new collaboration between director Sigi Rothemund (Siggi Götz) and writer Erich Tomek.

Vienna's high society parties with sex, drugs, alcohol and young models. Hanna von Stezewitz stands in the center of it all. She's young, attractive and rich, head of a corporate group and one of Vienna's most important financers.

For months, the corrupt Viennese policeman Albert Schuh unsuccessfully investigates the murder case of his former friend and colleague. Then he gets a young, overambitious partner. The German colleague Thorsten Richter is a set of correctness and ambition, and thus the exact opposite of the Viennese, the "benefits" from the criminal scene is quite open. Since the two can not stand, the dispute does not stay out. The Austrian stops the German an unnecessary undercover job on an erotic chat line and determined alone on.

Hertha is determined to shoot her unfaithful husband. But by chance, she becomes a hostage-taker, giving her neurotic victim Philipp the worst hours of his life. A road movie across Lower Austria: Not even the Waldviertel wine bottles remain unscathed in the gunfire.

Does luck have a use by date? Both thought that at eighty they have experienced everything until, like a bolt of lightening, Rosa and Bruno come together and immediately fall head over heels. There are two obstacles to their happiness though: Bruno’s marriage, which has long been routine, and Rosa’s illness; she has cancer and not long left to live. Despite the difficult circumstances, the two decide to breakaway – Bruno from his relationship and Rosa from her retirement home. Against the advice of carers, doctors and relatives, the pair moves into a new apartment together. ANFANG 80 shows with a great deal of unequivocal humour how insensitively and sometimes desperately overburdened society reacts to love among the elderly.