Ulvi Alacakaptan

Sevtap and Adem, the postman in the neighborhood, are in love with each other. Sevtap remained single until the age of 30 because no one liked her, so she is still a virgin and has settled for Adem. However, there is someone who opposes this love, her older brother Latif, who was raised in German culture but can be described as a complete fool. One day, Sevtap and Adem send a telegram from Sevtap's father's mouth to convince him to accept the situation. After this telegram, wedding preparations begin. However, during this time, Latif returns permanently from Germany to Turkey, and the truth about the couple is revealed. Latif opposes the marriage at any cost, even if it means harming Adem. Later, despite his reservations, he accepts the marriage and fulfills Adem's every request.

The film tells the story of Abdullah, who is unjustly arrested. With Egypt coming under British rule, cultural and religious changes begin to take place in the country. The gradual assimilation of the people into British culture deeply affects Minyeli Abdullah, who is devoted to his traditions. Abdullah organizes religious discussions in his home and teaches people about Islam. One of his neighbors accuses Abdullah of forming an organization and reports him to the police. Abdullah is arrested during a raid on his home. After Abdullah is imprisoned, his wife Sevde goes to her father's house. Under pressure from her family, she divorces her husband. Abdullah, who is accused of opposing the government, continues his discussions in prison. The police chief, who is disturbed by this situation, tries every means possible to have Abdullah executed.

Baris is a young man who finds various deception methods to continue his life. The reason for this situation is seen as a reflection of the traumas he has experienced at past. However, there are bigger mysteries than thought.

A depiction of social satire, Talihli Amele [The Lucky Worker] (1980) shows the transformation of a young man who immigrated to Istanbul to provide a better life for his family. With hopes to become a successful mason, he suddenly finds himself the star of a TV commercial. Drawing attention to the rising consumerism culture and its effects on individuals in Turkey, the film was allowed to be shown with a State Council verdict.

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