Mihail Bilalov

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The members of a music band that separated 30 years ago are forced to reunite.

Itso, about 35, drives a special ambulance called a 'corpse-van'. His job is to pick up the bodies of the recently deceased and transport them to the morgue. Itso's assistant is a Gypsy with the nickname 'Buddy'. Mimi, a nice and lovable ward-maid from the morgue likes Itso, but he doesn't really pay much attention to her, because he is in love with Katya, an attractive 40 years old woman. Katya humiliates Itso and uses him, but it doesn't change his feelings for her. Katya turns out to be a mistress of the mafia boss Rocco, who beats her and one of the days - brutally rapes her, which is seen by Itso. Buddy convinces Itso that real men deal with life problems by administering justice themselves. Itso decides to rescue Katya and her 14-year old son Mario from Rocco, and free the world from a villain... This complex story, referring to subconscious, psychology and symbolism, is not only about freeing the world from outside evil, but also freeing a man from his inner demons...

Six year old Azad (a Kurd from Iraq) was engaged to his cousin Vian but after that the two kids were separated due to the political situation. At 19, Azad accidentally witnessed the murder of Vian's father and had to leave the country. On board the ship to Europe he met a beautiful girl and fell in love with her without recognizing that she was his fiancée Vian. Vian, on her part, did not reveal herself to him because she thought he had been involved in the murder of her father and she tried to suppress her feelings towards Azad.

In the late 1980s, stage actor Alexander Petrov is banned from theatre without any apparent reason. When he reappears, after the demise of the Communist regime, he discovers that he had been denounced by the one man he admired most, his master and friend. He discovers this fact at the very moment that he is called upon to deliver a funeral eulogy for the man. Devastated, Petrov declares that he is retiring from public life. That’s when Markov offers his help. An old acquaintance, Markov was a former director of the secret service, who has become a successful businessman. Now, in the mid-1990s, the country is wracked by unretstrained capitalism, along with violence and gang wars. Markov, an admirer of Petrov’s stage talents, offers to make him the leader of a new political party aiming at rescuing the country. Can this work? Is Markov the right man to be allied with? Petrov must make a fateful decision.

In an authoritarian police state, a charismatic schemer is fired from his job as a secret-police informant, conjures up his own imaginary spy network and builds up an archive that he turns against his former masters.