Cesáreo Estébanez

Almería, Tabernas desert, Spain, 2002. Texas Hollywood is a dilapidated and dusty town where Western movies have not been shot for decades. Julián Torralba and his partners, veteran film stuntmen, survive there, recreating pathetic action scenes for the pleasure of the few foreign tourists who visit the isolated region.

Madrid, 1965. When The Beatles arrive in the city, Diana goes to great lengths to meet them.

In the post Spanish civil war years, Catalan kids would sit in circles among the ruins and tell stories, known as "aventis" (the film's original title in Catalan, its original language). These tales mix war stories, local gossip, comic book characters, fantasy and real events. The "aventis" told in this film are told in flashback. In the mid 80s, 45 or so years after the age of the "aventis," a doctor and a nurse-nun (who grew up together, and now are co-workers in a hospital) identify the corpse of one of the main characters of the "aventis" of their childhood and adolescence. Besides the interesting flashbacks - a chronical of the Civil War in a "typical" Barcelona microcosm itself, the discovery of this body (belonging to someone long presumed dead) leads to other surprises and unresolved doubts, several decades later

Juan and Sonia arrive at a large old house, an ideal place to raise their newborn son. When, one night before going to bed, they check the operation of the monitoring device installed in the baby's room, they discover that someone is sitting next to the crib.

Two speleologists, Esteban and Pedro, travel to a mountainous area located in northern Spain, near a small village, to study a newly discovered cave and determine if it is of scientific interest, while Gabi, Esteban's wife, awaits their return on a lonely road at the foot of the mountain.

Marco Vallez (Antonio Banderas) is possessed by the beauty of a circus sharp shooter, and from the second they meet he is willing to give up everything to be with her. But one horrifying night sends them both down a road of revenge leaving behind a trail of bodies to the ultimate showdown with justice.

In the 18th century in Madrid, the Marquess of Esquilache, King Charles III of Spain's former minister, bans on wearing the popular wide collar with a long coat and brimmed hat. Along with other measures provoke a massive riot in the city.

No description available.

Countess Diana de Belflor is in love with Teodoro, her secretary, but he is engaged to Marcela.

No description available.

No description available.

Spain, August 1936, the first days of the Spanish Civil War. During the painful pilgrimage of the Andalusian writer Blas Infante (1885-1936) from prison to prison, always on the verge of death, various images cross his mind: people, dreams, remnants of his past.

Amós is a sailor and owner of a ship. He is impatient with the arrival of his uncle who returns from the Soviet Union, after having exiled there after the Civil War. They have no time to meet because the old man unexpectedly dies. Amos knows, thanks to the letters his mother received, that his uncle had a treasure. However, this one is not among the objects that were in the old man's room.

A young man, son and grandson of soldiers, refuses to perform military service, causing a commotion in the whole family. Finally, social, environmental and family pressures, will force the young to make a decision that will have unforeseeable consequences.

Barcelona, 1980s: in a tough urban neighbourhood inhabited by survivors and ruled by ex-legionnaires Gandhi, Fontán and Andrade - who are fighting a war for control of the streets - Nen and his friends Palito, Topo and Tostao dream of making it big in the world of rumba. But Nen discovers why his father, El Guacho - of whom all Nen has left is the memory of his brilliance as a rumba singer - disappeared many years earlier. He learns how the relationship between his mother, Chata, and Ghandi, leader of the neighbourhood, was connected to his father's disappearance, and so Nen is forced to balance his own desire for vengeance with his longing to triumph.

In this anthology film, a female actor cheats on her formerly famous husband, a married couple go to extremes, and an antiquarian falls for a young man.

During Holy Week of 59 in the tragicomic social landscape of Franco's Spain, takes place the sentimental chronicle of a nine years old boy: Pablito. Pablito wants the pedal car he sees in a shop near his home. His family -middle class with bad luck - silently suffers the pressure of the other part of the family- middle class with good luck and best influences. The desire of the car and the hope to get it encourage his parents to take the child, piggy bank in hand, through a strange journey to the colorful and surprisingly familiar world full of lies and blackmail. Pablito emotionally survives in that environment thanks to his ability to get from his imagination the answers that parents and teachers do not give him. And that way, Pablito will create his own happy ending.

An air-hostess is pregnant but she does not know the name of the father, a foreigner. When the baby is born, she gives it to her sister that has already two children. The child grows up as another member of the family. Although the adults keep the secret, the children know that he is different.

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Fito (Juan Sanz) is a poker addict truck driver and labor problems that his wife Juana (Zay Nuba) tries to overcome. A day will come Pedro (Jose Coronado), the brother Fito, absent from his life for 13 years.

The story of salesman Salvador Lozano and his ambiguous relationship with young hostess Inés.

Tres pescadores barbateños, Manuel (Pablo Carbonell), un hombre bueno al que apodan "Nadando con Chocos"; el Perra (Pedro Reyes), su amigo fiel, y El Cherif (Antonio Dechent), un paria iracundo y orgulloso, intentan sobrevivir como pueden a pesar de la crisis pesquera que vive la costa gaditana.Un día Manolín (Andrés Rivera), el hijo de Manuel, llega a casa con un problema más: quiere hacer la comunión. Algo que provocará más de una sorpresa. Primero porque no está bautizado y segundo porque sus padres ni siquiera están casados. Contagiados por la ilusión de su hijo, María y Manuel deciden ordenar su vida y casarse. María lo organiza todo: arregla con el singular cura del pueblo (Paco Vegara) para que oficie la ceremonia, busca los trajes, invita a los vecinos... Pero claro, no hay boda sin convite. Y eso cuesta dinero. ¿Cómo conseguirlo?

Under a South American dictatorship, Ernesto Carrion is the leader of a group of revolutionary terrorists who conspire against the military government. While the adventure of his life runs its unfailing course, he enters a deep inner conflict, relentlessly pursuing his ideals of universal freedom, rejecting the only means available to achieve his own.

No description available.

This is a short story about an old Spanish man, who is about to sell his shop in Barrio De Llavapies, in Madrid set in 2003 on the 1st of February. This film shows life from the viewpoint of two ethnic groups an immigrant who has a run in with an old white Spanish man who has racist views and is meant to one of the last white shop owners in this Barrio.

An old man needs someone to take care of him. An immigrant needs a job. With a weekend ahead of them - let battle commence!