Martin Dejdar

Whizzy is a little mouse, Whitebelly is a fox. They are naturally mortal enemies. One day, after an unfortunate accident, both meet in animal heaven. Together, they will embark on a fantastic journey and discover friendship can overcome everything.

Stage mime Antoine Moreau is compelled by the Gestapo to put on a performance for the children of Terezin, a "model" concentration camp, to convince the Red Cross observers that the camp is truly what it seems. Reluctant at first, Moreau slowly learns the true nature of the camp, including the meaning of the "transports" on which people leave. With a world-class orchestra (made up of people interned in the camp) and a cast of children, Moreau stages a show to end all shows.

Princess Elen wakes up on her birthday knowing she must either kill the evil witch who cursed her or find her true love. The princess has got one last chance to save herself and the kingdom. If she doesn´t manage either, the kingdom will be destroyed. Will she be able to persuade her friends, break the strong spell and defeat the powerful witch?

Gregorius, the Outcast. As an infant, he was abandoned by his own parents, conceived through the sinful love of a brother and sister. As a young man, misunderstood in a humble fishing village, he imagined the lake as an ocean, a small boat as a throne, and a spear as a royal sceptre. Yet deep within, he knew he was destined for something greater. Driven by a desire to become a knight and make the world a better place, Gregorius embarks on a journey that reveals the unfathomable ways of God. For within every sinner, there may also dwell a saint. Whether you are an outcast, a knight, a king, a hedgehog, or a pope, beneath the heavens there is ultimately only one true path: the path of a pure heart. Gregorius, the Chosen One. Inspired by Thomas Mann's novel, Tomasz Mielnik's poetic absurd comedy transports audiences to a long-lost age, when the star-filled sky served as a map of endless, radiant, and irresistible journeys.

The young Zuzanka, Honzik and Goat look for the children's parents, whom the devil has apparently kidnapped to punish them for producing devilishly good goat cheese. However, the children find their parents not in hell, but in the castle, where they must make cheese for Kobyl, the king's advisor. Kobyl gained the king's good graces thanks to the cheese. After a dangerous and corny adventure, Kobyl ends up in hell and the family members are reunited.

Four friends in their best years get together to celebrate Martina's birthday in a mysterious apartment, where they meet complete strangers. At the party, they reveal their deepest desires: Dita just wants everyone to be happy, Marta is on the hunt for a man, Marie is trying to get hers back, and Stella says she's "fine". However, as the evening progresses, they all realize that what they desire above all is love and understanding. And it's time to do something about it!

The Manor, a dark funny version of Akira Kurosawa's " Rashomon". During a snowstorm, Patrick Roarke, a manservant, is found dead at the bottom of the main staircase in a gothic English mansion. Inspector Hatcher is sent to investigate the death. When he arrives, he finds a household consisting of five women. When questioned by the inspector, each of the women tells a different story, all of which are illustrated by flashback scenes showing the events as related by that particular person. Everybody seems to protect somebody and the inspector becomes increasingly intoxicated as he tries to untangle the web of lies in his endeavour to find out the truth.

Princess Antonia rules harshly, squeezing her subjects, but the royal treasury benefits. The success of her reign fills Antonia with unchristian pride, she is domineering, greedy, unkind to her royal mother and to the baker Matthias, who genuinely loves her. How else, comes the just punishment. Princess Antonia finds herself and her entire castle in the power of the infernalists, and she has plenty of time to reckon with her conscience.

Why? (Czech: Proč?) is a 1987 Czechoslovak drama film directed by Karel Smyczek. It was screened in the Un Certain Regard section at the 1988 Cannes Film Festival. The film deals with the hooliganism in Czechoslovakia, particularly with the fans of football club Sparta from Prague, whose supporters were the pioneers of the football fan riots in Czechoslovakia, starting with hooligan actions already in the 1960s, like breaking the trains in which they travelled when they went on Sparta's away games. The film deals with one of such episodes

A film full of songs and melodies ranging from folk roots to contemporary rock, set in the Czechoslovak-Polish border region, in the rugged but charming region of Těšín Silesia, where a man's word still carries weight, women's charm has been irresistible since time immemorial, and music has its irreplaceable place. In short, it is a magical region for seemingly ordinary stories that are nevertheless unique and interwoven with deep humanity and happy endings...

Do you have dreams? Any unfulfilled wishes? A group of retirees set out on a trip to fulfill them and reminisce about their younger years working at the municipal spa. Kňoura, Josefa, Janata, Kačera, and grandson Tomáš are in for a trip they will never forget. A helicopter flight, sleeping under the stars, dinner at a posh restaurant, a race with a Formula 1 driver, but also fun on the merry-go-round.

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An elderly paper-crusher branded a fool in Prague secretly stashes condemned books, preserving their contents and extrapolating from them eccentric scenarios of wit.

A dramatic action film about stuntmen who perform the most dangerous stunts in the film world. One day, however, one of them is struck by a family tragedy in which his son dies. The man cannot overcome this tragedy and ends up in a psychiatric ward. Will he be able to return with the help of his friends?

The elements that rule Earth - Air, Fire, Earth and Water - are in their "regular inspection tour". We are following Water, in the form of the Rain Fairy. Traversing the land dressed like a poor woman, she learns that people really have begun focusing mainly on money and that love and goodness are disappearing.

The local farmers' cooperative organized a trip to Italy, in which the Škopkovci took part. They went there at the invitation of the Italian agricultural cooperative, whose employees are going to visit Hoštice in return. In addition to the sights, the goal of the tour was also an excursion to a modern Italian cowshed. After returning home, Hoštice and its inhabitants are waiting for a "great approach to Europe" - they plan to improve the neglected village by building a nudist beach. However, as it usually happens, the Italian delegation appears at the least convenient moment. Strangely enough, they like the cooperative's neglected economy so much that they propose to preserve it as an open-air museum...

A period musical comedy set in a quiet Prague quarter at the end of the fifties. Using the western plot device of the "man from nowhere" a generation gap story unfolds of changing social climate. The action is driven by the character of a young man named Baby who causes a local rebellion by bringing rock'n'roll to a Communist neighborhood raised on swing.

H. Ch. Andersen's story was the basis for the narrative film 'Of John and the Wonderful Friend', in which the 'magic wand' plays an important plot-forming role. With its help, Jan overcomes the magician Magnus and rescues the princess Agnes.

A businessman unspools a web of espionage and corruption when his bid for a major construction project attracts the attention of an underground network.

After World War II, fighter pilot Antonín Maděra returns from England to his native village in the Ore Mountains to forget the hardships and horrors of war and to "live, work, and love his neighbors," as he himself says. But Svatý Štěpán, which his family had to leave in 1939, is no longer the same place it used to be. However, even in his wildest dreams, he could not have imagined what really awaited him there.

Father Viktor, highly capable and successful in his profession, and his son Petr, an equally successful and promising student, suddenly find themselves in an unexpected situation – after the death of their wife and mother, these two exemplary models of the perfect man and student must deal with such a mundane matter as taking care of the household. As capable, intelligent, and successful men, they naturally see no problem with this. Their experienced neighbor Lupínek, a distinguished grandfather with four grandchildren to look after, warns them in vain and offers his help. Male vanity and pride are stronger. As a result, they gradually find themselves in a whirlwind of embarrassments, problems, and disasters that gradually erode their self-confidence and destroy their firm belief in their own perfection. Fortunately, Uncle Artur comes to the rescue.

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Vladimír Michálek chose an unconventional adaptation of Franz Kafka's novel for his feature debut. Artistically reminiscent of the classic films of Karel Zeman, the director reinterpreted this dark story of a man vainly seeking a place in a rigidly ordered society by changing the desperate conclusion into a happy end. The film provided Czech comedian Jirí Lábus with a new kind of role: that of the despotic uncle of a main hero Karel Rossman (Martin Dejdar).

The distinctive artist, typographer, and writer Josef Váchal is known to the public primarily for his Blood Novel. The surrealistic exuberance of this defense of 19th-century pulp fiction caught the attention of Jaroslav Brabec and his colleagues, who found a corresponding image of 20th-century "trash." The authors' interest focuses primarily on the silent film era, with a journey through the history of cinema continuing through the advent of sound film to the present day (auteur cinema of the 1960s, modern horror), formally employing techniques such as tinted film. The versatile parody intertwines a colorful plot with the story of the author (Váchal/Paseky), who comments on and creates his book, and is further split in the plot into the characters of Fragonard and the Master. As with Váchal, reality increasingly enters the fiction, so that the only "happy ending" turns out to be the artist's finished work.

A narration of episodes from the life of the famous Czech poet, Karel Hynek Mácha. Throughout the film, we witness a deep analysis of Mácha's complex character (his relation to another Czech writer of the time Josef Kajetán Tyl, his unbearable jealousy, his solitude, his attitude to nature,etc.) on the well-depicted historical background with all its particularities.

The film tells the story of the relationship between a mentally disabled uncle and his nephew, whom fate brings together at a certain moment, gradually forming a bond between them that is a demonstration of the strength and "power" of friendship. This is then put to the test by those who, for various reasons, try to separate them. Among other things, the film is a confrontation between the two main, innocent protagonists and those who lost their innocence long ago and are guided primarily by what can benefit them, often at any cost.

Teacher Majer is lured by his friend to an old farmhouse, where a hitman hired by the last surviving member of the Dostál family is waiting for him. Meanwhile, everyone is waiting for Majer at the newly opened school, which he is supposed to manage. All of his former students wait in vain for Majer; he never arrives. No one understands what has happened, and above all, where the man is on whom they are now completely dependent, each for a different reason. They begin to fear that something has happened to Majer, and so the four “bravest” among them decide to find him.

In a godforsaken cave, a traveling journeyman fills his pockets with gold. Voita lost his father and mother in the war and is now seeking his fortune in the world. He got to the abyss at Gallows Mountain only by chance - or have mysterious powers led him there in this spooky stormy night? Suddenly, he notices a strange fellow among the treasures. The apparent ghost and custodian of this treasure chases away the young man, who still manages to secretly pocket a small, fateful lighter...

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A sensual summer comedy for discerning audiences. In a small town with a nostalgic swimming pool, a variety bar, and a pink pastry shop, a couple in love, an aging playboy, a lifeguard, and a variety artist named Marčélo and his much younger wife Eliška are constantly fighting. Their encounters are full of jealousy and sensual love. Their relationship is disrupted by Marčélo's son Mican and, in particular, the sensual barmaid Hedvika. However, there is also the strange director Motýlek, who is in town to shoot a film.

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As a mayor dreams of spreading holiday cheer with a new ski jump, the town's citizens experience wacky antics while searching for love in wild places.

Jiří Suchý recalls two of the most prominent artistic and creative figures in Czechoslovak culture of the last century: Jiří Voskovec and Jan Werich.

Remember with us the meeting of the actors of the famous film trilogy in Hoštice after twenty years, whose main character was the unforgettable Helena Růžičková. Stories from the filming in her presentation, but also in the narration of other "interested" people.

Ten years later, the people of Kamenákov are still stirring up trouble, including Pepa, who is now mayor and trying to establish a police force.

Helena, a free-spirited single café owner, takes her eight-year-old son Mikuláš to the mountains for a quiet Advent stay but, through a mix-up, ends up at a remote high-altitude lodge run by adventure guide Richard, his spirited daughter Zuzka, and his sociable brother Mišo. Unbeknownst to Helena, her parents also arrive, insisting the family spend Christmas together. Amid snowbound isolation, cultural clashes between city visitors and mountain folk, playful rivalries between the children, and unexpected challenges transform her planned retreat.

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In a land of two kingdoms - one ruthless under King Vladan’s conquests, the other hidden behind a magical lake and ruled by kindly King Dobromil - Queen of Fire enchants Princess Mariana in living flame to force Dobromil’s hand in ceding the kingdom’s fabled Ruby Heart. Desperate, Dobromil uses a magic ring to summon the ever-jovial Tadeáš from Vladan’s realm; Tadeáš braves the flames, rescues Mariana, and wins her heart, only for their triumph to be threatened once more.

A young man has led his whole life with his grandfather. When he was in school, he was the only one who was refused to join the Youth Brigade, since his father was sentenced to death for spying. When it is time for him to do the compulsory military service, he has to do it in a platoon for "unreliable" persons.

The second part begins shortly after the death of Michal Dostál, the biggest bastard of them all. Michal's father and grandfather are convinced that teacher Majer was behind the murders of all three students and was avenging his sister's death. They begin to psychologically torment Majer and search for evidence. The new police investigator Karas, who takes over the case from the deceased police investigator Paleček, is also looking for evidence. Karas immediately suspects something is amiss in the deaths of the "bastards" and also begins to focus on Majer, who is now the school principal.

Director Tomáš Vorel created his experimental feature debut with members of renowned Prague non-traditional auteur theaters. The ensembles presented their own poetics and style through five "short stories" connected by satirical commentary by the "expert" Dr. Milan Šteindler, CSc.

A black comedy about suicides. Good old England, 1937—a spooky night scene on the moors, silhouettes of trees, the distant silhouette of a small castle reflected in the glistening water. Only the Hound of the Baskervilles is missing... we see only distant silhouettes of figures on a raft and have no idea where they are sailing.

A coming of age drama about a young boy Jirka who lives in Prague.

The shadow of a great dragon circles above the royal castle, Princess Caroline tries on a black mourning dress while crying, and a few invited princes feast in the courtyard. Over a good meal, they discuss what should be done. The first prince suggests offering the dragon a few hundred subjects instead of the princess, the second believes that the kingdom has neglected prevention and that the dragon should be dissuaded, and the third prince has composed a song about it. But none of them wants to face the dragon...

It's Friday morning. Employees of a bank in a district town are heading off for three days in the mountains for some modern team building. The aim is to strengthen the team, hone their work skills, and, above all, earn bonus points in the personal evaluation of the director, who has decided to kick-start his career by advancing to the branch management in the regional capital. To get promoted, he needs positive evaluations in all areas, including management activities, which he has completely neglected until now. Most employees have no idea what to expect. They imagine a company-paid school trip, but...

Fourteen-year-old Pavel, alias Pako, falls into an underground tunnel during an expedition near Lukov Castle, injures his spine, and is confined to a wheelchair. After several months of rehabilitation, he and his mother Věra find it difficult to accept that he will never walk again. Local castle warden Jaromír also has his own problems to deal with in Lukov, as he struggles with grief over the death of his beloved wife. Lukov mayor Karel Zlejšek and his wife Naďa refuse to admit that their relationship is not developing as they had imagined and that this is affecting their son Petr's behavior. Adam and Eva's marriage is also going through a crisis, but so far they have managed to hide it from their children Aničkou and Tadeáš, or Nyny and Dydyn. Tokár arrives in the village with his daughters Dragica and Štěpánka – Šmudla – and tries to fit into everyday life in Lukov.

A parody of the film The Magnificent Seven about seven transport company inspectors who bravely fight a gang of stowaways.

A fairy tale about Petr the coal miner and Sklenáříček the elf... You may find it incomprehensible that someone could crave wealth as strongly as Petr the coal miner in today's fairy tale. And to get it, he accepts an incredibly cruel offer. Believe me, it won't be long before Peter understands what true wealth in life is. His pathological desire for wealth has brought him to the brink of destruction. The evil forest spirit Obrmichal manages to replace Peter's heart with a piece of cold stone, but not for long. Regaining his own human heart will restore Peter's love for people and compassion for his fellow man...

A tribe of survivors take possession of a large but rundown building, killing all who put up resistance - but they don't know that the building is cursed by some demon god and haunted by a girl in white that seems to know a dark secret.

A special story about love, dance, and immortality takes place in the late 1940s. A young man, dance master Mayer, arrives at a pulmonary sanatorium. His diagnosis is serious—tuberculosis. However, he does not give in to his illness and begins to actively fight it with dance and optimism. Gradually, he wins over other patients who had previously resigned themselves to their fate. Soon, however, his illness breaks out in full force and insidiousness. Facing death, he embodies human courage and a positive attitude towards life.

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The idea of mystery unites the three debut stories - the original Bermuda Triangle with its mysterious phenomena has begun to shift and can be traced anywhere in the world, including Czech and Slovak territory. Here, too, unexplained shifts in space and time occur. This idea is supported by the aforementioned short stories, but the inventiveness of the subject matter and staging is very heavy-handed, and the film passed through the cinemas without much interest.

Based on a play by French playwright Georges Feydeau. This comedy, often defined as a farce, has an incredible pace, with its transformations arranged with machine-like precision and enviable rhythm.

Eva Holubová, Tomáš Hanák, David Vávra, Milan Šteindler, Martin Dejdar, Jitka Asterová have all starred in early short films by Tomáš Vorl. Nobody knew them at the time. And they themselves had no idea that they would one day shine in the Czech film sky.