Roberto Pirillo

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A Deusa Negra is a love story that spans two centuries. In 18th century Yorubaland, Prince Oluyole is taken prisoner in the course of internecine warfare fanned by overseas slave traders. He is sold into slavery in Brazil. In present day Nigeria, at his father's deathbed, the young Babatunde promises to go to Brazil and search for traces of their once-enslaved ancestors. Beginning with a Candomblé ritual, his journey takes him ever deeper into this culture and, in a dream-like sequence, affords him a deeper understanding of his ancestors' suffering and powers of resistance. Balogun effortlessly links present with past, real with magical worlds and discourse with trance. The hypnotic atmosphere is also heightened by the music of the Nigerian drummer Remi Kabaka, which plays with repetitive patterns and distortions.

Betão is a countryman who works in a circus, selling peanuts. His daughter also works there, and becomes the circus's greatest attraction. But she decides to marry a rich man, and another circus comes to town, putting his employment in danger.

Norma is a low middle class young woman trying to find a rich husband to have comfortable life. She poses naked for a men magazine expecting to be known in the upper class. She engages the gay Marcelinho, who is imposed by his father to get married to have the right to his inheritance, but when Marcelinho's father dies, he calls their deal off. Meanwhile, Norma meets the opportunist and gigolo Lincoln, who pretends to be a tycoon farmer, and they have a torrid affair. But Lincoln believes she is a rich woman from a wealthy family and he intends to marry her to have money.

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The story of Domitila de Castro Canto e Melo, the Marquise of Santos, the most famous of the mistresses of Dom Pedro I, Emperor of Brazil.

Jeca has to face a rich farmer woman that wants his love. At the same time, his wife seems to be possessed by the Devil. Made after the huge success of 'The Exorcist', Mazzaropi created his version of the Blockbuster.

Counting on her looks, beautiful and mysterious woman blackmails powerful businessmen involved in fishy schemes, getting everything she wants from them in return for her silence.

Balogun's most political film is a confrontation with the African wars of liberation. Based on Carcase for Hounds, Meja Mwangi's novel about the Mau-Mau uprising, it is set in an unnamed country and thus offers the vision of a pan-African struggle for freedom and against colonial oppression. The central figures in the straightforwardly and powerfully told story are the guerrilla leader Haraka and his adversary, the English colonial official Kingsley. In the end, the film becomes a homage to the freedom fighters from all over Africa: the final images show Patrice Lumumba, Steve Biko, Nelson Mandela and Amílcar Cabral, among others.

Salvador, Bahia, January 1835. After more than a decade of hard work, Guilhermina, 27, a slave of Muslim origin, finally gets the resources to buy her manumission, as well as that of Teresa, 11, her teenage daughter. But, contrary to an old promise, his “lord”, farmer Souza Velho, refuses to sell the girl's letter. When Pacific Licutan, Salvador's most esteemed Islamic leadership, is arrested by the Bahian authorities, the Muslim community goes into a boiling state and begins to articulate a jihad. In desperation, Guilhermina sees in the uprising the only way to win her daughter's freedom.