Omar Rojik

Hassan (P. Ramlee) is 10 when his father died. His mother had died when he was younger. His late father's boss feels sorry for Hassan and adopts him. However, Hassan's foster father's own child, Aziz (Jins Shamsudin) is jealous of Hassan and hates him. When both of them have fully grown up, Aziz and Buang (Salleh Kamil) always bully Hassan. At the same time, Salmah (Saadiah) has developed a crush towards Hassan, fuelling Aziz's fury. When the Second World War is approaching, the Royal Malay Regiment begins recruiting young soldiers.

Haji Salleh who was seperated by his family in Singapore fell sick when he was in Mecca. He had a wife, Ainon, a daughter Petum and a son Bahar who is an Inspector Police. Before he passed away he made a will who was entrusted to Sidek to be given to his family. As he arrived back in Singapore the beg which had the letter and money in it was stolen by Kamal, who stole the money and through it away. Kamal not later after that was arrested by the police. By coincidence, Kamal's daughter was Inspector Bahar's boyfriend. Sidek came to the Police Station as he heard about the arrest that has been made to the thief who stole the money. But he was taken back when he saw the face of the criminal who resembled so much of his friend who passed away, Haji Salleh.

'Mata Hari', the daughter of a kampong headman is captured by the Japanese. She witnesses the atrocities committed by the invaders, who tortured her father to death and round up innocent women to become prostitutes and mistresses for their commanders. Not wanting to cower to the enemy, Mata Hari decides to form and lead a guerilla force to fight the Japanese.

A man falls in love with a woman above his station. Zul is working at a stable owned by Johan. Eventually at the same time Zul fell in love with Johan's daughter Jelita. But after being ridiculed and mocked by Johan and his friends Husin, Zul resigned from his job and wanted to be a sailor instead. But unfortunately the ship he was on was hit with a big tidal wave and began sinking. Zul ended being thrown on the shore of an island not known to him. Will he ever see his Jelita again after this? How will he ever find a way to save his own life?

The same year Shaw’s Malay Film Productions released P. Ramlee’s Penarek Becha, they also produced this melodrama centred around another humble trishaw driver. Like Ramlee’s film it was co-written by young literary upstart Jamil Sulong (who later became a director). Similar issues around class, wealth and modernity are explored through the tale of a kindly older trishaw driver (Omar Rojik) who adopts Jamilah, an orphan and marries her guardian, offering her a simple but better life (including a very, very long visit the circus). As the years pass Jamilah pulls away from her impoverished kampong life towards a world of motor cars and monied families, while kind Omar’s health is failing. A classic slice of social-realist melodrama.

Set sometime after the events of the previous film, Haji Bakhil's wife has died. Haji Bakhil is alone and depressed, but eventually meets a beautiful young woman named Murni, who is a teacher at a school for orphans. Haji Bakhil spends some time pursuing her, and his attention is apparently not unwelcome.