Béatrice Kruger

Carolina Rambaldi isn't fulfilled by her three children: Marcello, a lazy do-nothing, Lucrezia, a bossy type who produces a TV show, and Cesare, homosexual and malicious, who's a sociologist. When she writes her will, Carolina leaves her property to the one child who's married and had a child in the past year and a half.

Gioia is a buxom centerfold working for Pussycat magazine. In such a profession, having an admirer or two is expected, but Gioia's admirer is a vicious killer! He murders her fellow magazine models one at a time, using a variety of twisted implements of death. Gioia is the lucky recipient of a collection of photos, each with murdered bodies arranged around posters of her.

After learning the identity of the man who killed her husband, a young widow struggles with whether to forgive the killer or avenge her husband's death

The boy Vito is a portrait of beauty and wide-eyed innocence spawned from a violent family of kidnapers and murderers in the South of Italy. When his entire family is murdered by a rival clan of kidnapers, Vito must flee for his own life and in the end attempts to make atonement for some of his family's sins.

Expatriate Henry Miller indulges in a variety of sexual escapades while struggling to establish himself as a serious writer in Paris.

A pack of money-grabbing relatives try to take over his ailing uncle's industrial empire.

This film depicts a series of landmark events in the life of hapless thespian Antonio Hutter (Alessandro Haber), the unfortunate fictional alter-ego of legendary actor Alessandro Haber. This surreal faux-biography begins with Hutter's birth in Bologna, Italy, and his early life in the Middle East and follows him through the highs and lows of his acting career, using a combination of interviews with real-life colleagues, archival footage and improvised scenes along the way.