Hana Hegerová

Two closely related episodes. Youths make problems for two local orchestras about to compete nationally, and in a talent competition a young girl gets stage fright, while another lies to her boss to compete.

Stage mime Antoine Moreau is compelled by the Gestapo to put on a performance for the children of Terezin, a "model" concentration camp, to convince the Red Cross observers that the camp is truly what it seems. Reluctant at first, Moreau slowly learns the true nature of the camp, including the meaning of the "transports" on which people leave. With a world-class orchestra (made up of people interned in the camp) and a cast of children, Moreau stages a show to end all shows.

A military base. An awkward soldier. A statue of Bach. And suddenly all guns in the area change into music instruments. Great mystery is immediately found by TV station. And soon the military base becomes a stage for huge TV show.

A group of outcasts, including a vagabond and a prostitute, gather at the outskirts of the industrial area of a large Czech city, one of the things that helps some of them survive is alcohol.

Jirka is a composer, his wife, Jana, a pianist. Jana would like to have an own concert, but so far she has only been selected to accompany Valenta during his concerts in Budapest. After some resentments, she accepts the proposal.

Telling the prisoners of a death camp. Boxer Tony Majer, who got into a concentration camp for a fight with the Gestapo, remembers the murderous work in quarries, on the cruel torture of the Nazis and prison solidarity that helped him survive.

Alfons Karásek says goodbye to his wife Růžena at the train station, who is going to the spa. He plans an erotically filled week, full of women and flings. One lover for each day. But right from the start, the intricately constructed itinerary goes awry. In the end, he finds himself in his apartment full of beautiful women, including, unfortunately, his returning wife...

The Haszler songs of Prague, so popular in the late nineteenth and early twentieth centuries, have not aged. They are still sung in pubs and on construction sites, in short, everywhere. They also have their place in the love stories from old Prague, so beautifully told by Miss Veronika. Their heroine is Miss Stázi, who at first had no luck in love with the student Tadeáš. But then she fell in love with three gentlemen at once. The shy Mr. Alois, the cheerful Mr. France and Mr. Johannes, who seduced her behind the Horse Gate. But in the end she preferred the old but rich landlord. Three abandoned gentlemen nearly took their own lives under the Stone Bridge. But grief overcame them and the gentlemen settled down to marriages richly blessed with adorable children. And Miss Stasi? She ran away from the old man and returned to Mr. Franco when he came home from the army.

Frona Filípková, out of a desire for a better life, married Floriš Zobač on the land. However, the ownership of the land has affected both her husband and her father-in-law, who, out of hatred, intrigue against the emerging agricultural cooperative and against each other, so Frona looks for a way to free herself.

No description available.

First documentary about the Czech hip hop scene shows how close the Czech rap can come to humour and irony. Three protagonists of the film, James Cole, Hugo Toxxx and Orion appear in situations where they are confronted with a professor of linguistics, children of a Romany quarter, a strict birth registry clerk, classical music trio, a statute of national revival hero Josef Jungmann, and the chanson singer Hana Hegerova, with whom they have a chance to sing the national anthem: "mimino mi mele nohu máma mele maso a máma mele sele kde domov můj?"

Journalist E. E. Kisch tells crime stories from old Prague, which he himself experienced in the years before World War I and recorded in his reports and stories: he participated in the discovery of the real murderer of a rich innkeeper, attended the wedding of a beggar's son with the daughter of a complacent rich man, and witnessed the mysterious murder of a money-changer's uncle.

Several bittersweet stories set in a Prague apartment building.

The story of a poor, disintegrating family of a mother Fišerová and her three children. It is set in the 1890s - a time when the poor working classes did not yet have the right to vote or a permanent eight-hour working day.