Bedřich Karen

Good-natured and garrulous, Schweik becomes the Austrian army's most loyal Czech soldier when he is called up on the outbreak of World War I -- although his bumbling attempts to get to the front serve only to prevent him from reaching it. Playing cards and getting drunk, he uses all his cunning and genial subterfuge to deal with the police, clergy, and officers who chivy him toward battle.

In late 19th century Czech-speaking Bohemia, oppressed workers at German-owned mines and foundries revolt against their harsh working conditions. Made shortly after World War II as Czechoslovakia was falling to communism, the film resonates in Czech resentment of the German occupation.

A morally questionable lord comes to the aid of a working class man who is to be executed for speaking out about thieving rich scoundrels sticking it to the poor.

A small town is one day visited by a priest who is there on a secret mission. He is a member of the Inquisition sent to investigate the activities of a local miller. The miller and his son are the descendants of an old family whose ancestral home burned down a century ago, but was rebuilt from scratch. The miller inherited much of his knowledge about the land, water, and a building's stability from generations of family experience. His reputation for finding water and predicting when a structure might collapse have come to the attention of the Inquisition -surely he must be in league with the Devil.

Janosík, a friar retrained as a bandit, becomes the farmers' symbol of resistance and fight against the feudal conditions.

The first part of the "Hussite Revolutionary Trilogy", completed with Jan Žižka (1955) and Proti všem (Against All Odds, 1957). The film captures the period from May 1412 to the summer of 1415, a turbulent time in the Czech Kingdom, during which there were protests in Prague against the sale of "omnipotent indulgences" whose sale throughout the kingdom was announced by Pope John XXIII. The ideological leader of this movement is the preacher Master Jan Hus, whose words, calling for the elimination of church abuses, are listened to in the Bethlehem Chapel by thousands of ordinary Praguers, Czech lords and Queen Sophie, wife of the Czech King Wenceslas IV.

A biographical film about the famous Czech painter Mikoláš Aleš, portrayed as part of the vanguard of the working class and a spokesman for the oppressed, who asserts himself despite the opposing bourgeoisie and reactionaries of all kinds. The film focuses on the period when Mikoláš Aleš participated in the competition to decorate the National Theatre.

In a country whose people have just been successfully persuaded of their superiority and the justification for military expansion by the fiery speeches of a dictator, the bacillus of a highly destructive form of leprosy has spread. It is called morbus Tshengi, or popularly „white disease“. The only one who has developed an effective cure for it is a physician of the poor named Galén. But he refuses to reveal the secret of his cure as long as the powerful destroy human lives through wars.

The movie describes proletarian life in the Czech Lands after World War I.

After the battle of Sudoměř the Hussite teaching spreads through the whole country and people start leaving their homes to help build the fortification of Tábor. Prague citizens request help against the army of Zikmund. The Hussite army with Jan Žižka in the lead make their way towards Prague. They fortify themselves on the mountain Vítkov and engage in a bloody battle with Zikmund’s huge army.

A biographical film about a Czech mechanic and designer who was the first in the Czech lands to construct a steam car.

American agents hijack a plane on the Ostrava-Prague route to launch a campaign against the People's Democratic Czechoslovakia. The plane lands in West Germany, but the Americans have an unexpected problem convincing the hijackers to stay in the West. Based on a true story.

A biographical film about the traveler Emil Holub, conceived as an illustrative story of an exceptional man, who, however, encounters the disinterest and rejection of the domestic Czech bourgeoisie. To this is added an international perspective - Holub encounters British expansionism in Africa and indignantly rejects colonial methods, trying to help black people.

The film, in individual episodes, captures the fate of Bedřich Smetana from 1856 until the end of his life, from his young years until the moment when, exhausted by human and artistic hardship, he sees the fulfillment of his great dream, the opening of the National Theatre.

A student commits suicide out of unhappy love to a married man; story is recounted in retrospective by a "judge" who asks the audience to decide who is the guilty party.