Janusz Kijowski

Television play adaptation of Wajda's stage play of Stanisław Wyspiański's November Night. The drama takes place on two levels - historical and metaphorical. The first one is almost a chronicle of several hours of the uprising - it shows the drama of the attitudes of Poles at the beginning of the armed struggle, in confrontation with the attitude of Grand Duke Constantine, the Tsar's deputy in Poland. The second one presents the world of gods playing out their arguments. Man becomes a plaything in their hands, but it is he who experiences his fear, heroism and hope.

A well-regarded engineer in a big enterprise is hounded by trumped up attacks on his integrity when he delves too deeply into how bonuses are handled by the management. He gets into an argument with the guard, is arrested and subsequently fired. An old friend, a journalist, tries to sort things out but the victim's stubbornness and past problems with his wife lead to lossess by both.

A picture of the broken world at the end of the century. A couple of contemporary young Polish intellectuals, artistic souls. They are sensitive beyond mediocrity, hence the daily hustle and bustle is not an excuse for them to live: they want to give it a meaning and shape of their own choosing. They search for their "roots", only to find out once again that, apart from natural tenderness, they have nothing in common with their families. There is no question of rebellion, of generational strife. Today's 30-year-olds face only technical, not sentimental, obstacles; childhood memories of parents not seen every day sink in, the image of a child living apart indifferently.