Acting
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32 movies sorted by popularity
Zezé is an 8 year old boy who, although a naughty boy, has a good heart. He leads a very modest life, due to the fact that his father has been unemployed for a long time, and has the habit of having long conversations with a sweet orange tree which is in his backyard. Until one day he meets Portuga, a man who begins to help him and soon becomes his best friend.
Carlos is a man doomed by restless memories, that meets with himself, in a time warp. Young Carlos faces the forgetfulness of old Carlos, who doesn't recognize his own appearance. They get a package. But the package seems odd. The knot that ties, the smell, the handwriting on the envelope: this could only be sent by his father, Ernesto, who has been dead for many years. A father who always created unusual situations. In this time warp, Carlos is split in two: one Carlos remembers and the other forgets the moments he spent with his father.
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Raised as Catholics by the Queen of Portugal, the orphans Leonor, Brites, and Mécia are sent to the Brazilian colony with the order to get married. The harsh adaptation to the precariousness of the New World is felt differently by each of them.
A woman wakes up in the middle of the night and notices the presence of a stranger inside her house. This unusual meeting between people from completely different worlds will have surprising consequences for both.
Imaged manifestations revealed within a finite geographic space, limited by the insignificant actions of their characters.
The quiet city of Veredas is home to Casa Rosa, a famous brothel in the backlands of Minas Gerais managed by Ismael's mother, known to everyone as O Filho da Puta. Tired of his life, the young man leaves with his dog towards the coast in search of the father he never knew. Along the way, he finds himself faced with situations that, at the same time as they transform him, insist on reminding him of the fate he is fleeing.
In the shimmering heat of Brazil, 13-year-old Irene discovers a dark secret her father's been hiding: he has another family and even another daughter with the same name.
Continuing the exploration of the thin line between truth and performance, Eduardo Coutinho turns his attention to the drama generated during rehearsals for the Galpão Theater Company’s performance of Chekov’s The Three Sisters. As he shoots scenes from the play, Coutinho attempts to capture the very moment in which reality becomes fiction and vice versa—whether through the actors’ bodies and words or in backstage scenes of a performance that will exist only on film.
Abandoned to the convent as a baby, Joaquina is about to take her vows as a nun when she learns the truth about her parentage – that her mother still lives, and her father was real-life revolutionary icon Tiradentes, who fought and died for Brazilian independence.
In the 19th century Minas Gerais hinterland, an outsider discovers a mysterious bar.
Mesmerized by the image of an active volcano on the other side of the world, a woman sets out to meet her fury. On the way, without being able to return, she finds herself in an extraordinary pregnancy, starting the account of the journey that gives shape to this play-film, a journey between theater and cinema inspired by the narratives of fantastic realism.
After the inauguration of a crematorium in the city, a widowed matriarch imposes her last wish on her children who, despite trying hard to fulfill their mother's request, face several obstacles and paradigms linked to family rituals.
Derley makes a living by participating in cultural contests and sweepstakes. His wife, Maria Celia, is pregnant and wants that he arranges a real job, generating an intense crisis in the relationship. But Derley will try to prove to Maria Celia that luck is always at his side.
Grupo Galpão's adaptation of the play "The Imaginary Invalid" by Molière
Amancio, young and bohemian man of the 30’s, meets friends at a bar and tell them about his painful treatment to heal a syphilitic ulcer in the stomach. While his story takes air of fantasy and adventure, a rough and drunk man challenges him to prove that he really is cured.
Luzimar cycles each day to and from work at the local cotton mill in his hometown of Cataguases, Minas Gerais, Brazil. He is a hard-working man, trying to make the most of what he has. One day, his childhood friend Gildo reappears, driving a fancy car and boasting of his successful life in São Bernardo do Campo, São Paulo. As the two sit down for a beer, memories, regrets and old resentments slowly resurface.
Grupo Galpão’s Romeu e Julieta (1992), directed by Gabriel Villela, is an intercultural adaptation of Shakespeare’s Romeo and Juliet, a production that intentionally draws on a range of popular practices such as street theatre, circus performance and the tradition of the commedia dell’arte, as well as on elements from the cultural imaginary of Minas Gerais in southeast Brazil.
This is the story of Vicente, a successful, married, economist with a nine-year-old son. It also tells the story of Antônio, the same man, living as a hugadores—one of the homeless, trash scavengers who live and work in Brazil’s enormous garbage dumps. Vicente seems to have it all, but as we watch his life begins to crumble little by little. Meanwhile, Antônio, already at rock bottom, struggles to rebuild his life.
Young couple is just about to get married when the to-be groom ia called to pick up his fiancée at a motel. Afterwards they go through a crisis even before getting married.
Manfredo seeks out a psychiatrist. The doctor insists on knowing his past, but there is something that Manfredo doesn't want to reveal and he abandons treatment. Dr. Pink starts to chase Manfredo and his life turns into hell.
After the death of his wife, Otto starts having trouble to sleep without his natural medicine: a lettuce tea she made every night.
William Shakespeare's classic tale of impossible love between two young people from rival families, adapted to the context of Brazilian popular culture by director Gabriel Villela. Considered a milestone in the history of Grupo Galpão and one of the most significant plays in Brazilian theater in the 1990s.
A young girl of 13 lives with her mother on an isolated property. They are awaiting the return of their father and husband. But instead, another man appears, transforming the relationship between the mother and daughter. Based on two short stories by Brazilian poet Hilda Hilst.
A couple receives an unexpected visit while trying to pay off a debt that threatens to take away the "child" they have cared for throughout their relationship.
