Andrea Elsnerová

Czech painter and illustrator Alphonse Mucha (1860-1939) ranks among the pioneers of the Art Nouveau movement at the end of the 19th century. Virtually overnight, he becomes famous in Paris thanks to the posters that he designs to announce actress Sarah Bernhardt’s plays. But at the height of his fame, Mucha decides to leave Paris to realize his lifetime project.

She was once the wife of an important man, lived in a beautiful house in Hradčany, and was friends with the famous race car driver Eliška Junková. Today, however, she lives somewhere on the outskirts of Prague in a ground-floor apartment overlooking the courtyard and the street, alone and abandoned by practically everyone. Her husband died a long time ago, and her life now consists only of regular meetings with the postwoman, who brings her pension and her favorite motoring magazines, and regular help at the rectory and the local church. She occasionally cooks and bakes for Father Jan, and with her characteristic willingness, she also does his laundry and ironing. However, one of the last certainties in her life collapses unexpectedly quickly—Father Jan is transferred somewhere to Hradec Králové and is replaced by a young priest who is used to doing everything himself. At that moment, a smiling young man with dark glasses and a flower in his hand enters Květa Galová's life.

The king raised two unbearable daughters—Princesses Jája and Anýzka. He no longer knows what to do with them. Perhaps the only solution is to send them to the charming witch Halíbela for re-education! She won't coddle them! But her son Elixír claims that almighty love can change them for the better more than witchcraft. And so he ends up making a bet with Halíbela...

Erben's original text, which did not exceed half a page in length, served Zelenka only as a source of inspiration to write a plot-rich story about two brothers, one of whom lives in luxury because Luck helped him to wealth, and the other lives in absolute poverty because he loves him Poverty, and she, out of love for him, doesn't want to allow him to get rich and let his life be complicated by worrying about possessions. However, not only the struggle with poverty and the arrogance that comes from owning a large property are the main motives of this charming comedy, which is intended for children of all ages. The desire for love and the search for happiness in life plays an important role in this sometimes very exciting story, and an equally important motive here is the motive of forgiveness of guilt in the name of more permanent values, among which in this case the relationship of two brothers can be included.

Somewhere in a fairy-tale land lies a small, not very wealthy, but charming little kingdom. It is also the Czech kingdom - Velký Titěrákov, as it is called there. This little country is ruled by King Valentine and his wise wife. Or is it the other way around? Either way, they would both like to see their only son and heir to the throne, Prince Hubert, finally marry and take over the reign. But Hubert just can't seem to choose a wealthy princess, as his father would like. So, it seems to the royal parents that the future young queen is nowhere in sight. Neither of them suspects that Hubert has long since found his queen, the queen of his heart—the beautiful but poor Božidara from the farm. However, the two lovers keep their love a secret. They know that the king would never bless the marriage of a prince to a goat herder. Unless a miracle happened...

Oligophrenic Fany (Bohdalová) lives with her aunt who suddenly manages to travel abroad. Fany has to move to her sister (Jirásková). Two very different women, one mentally disabled and the second one intelligent doctor has to live together and learn from each other about tolerance, loneliness, life and why call dogs "Mister".

A comedy about funny adventures of boys and girls during the summer vacation.

A nearly common shop with a nearly common corpulent saleswoman Karla lies at the end of the world, out of standing in time, beyond genres and universes.

Three soldiers desert and take refuge in an ancient, crumbling castle where three veiled maidens welcome them with a sumptuous feast, on the sole condition that they neither lift a veil nor lay a hand on their hosts during the night. Only one, Jakub, keeps his vow and is rewarded by a freed princess and a magical token that grants him three extra lives.

A recording of the final performance of the famous production of G. Feydeau's comedy, directed by Jiří Menzel, which was successfully performed by the Vinohrady Theater for twenty years. The fame of Feydeau's A Flea in Her Ear was established at the Vinohrady Theatre in the 1960s by director Václav Hudeček with his production starring Vlastimil Brodský in the dual lead role. The studio version is now considered a television classic. In the second half of the 1990s, the theater's dramaturgy returned to this comedy bestseller and entrusted the direction to film and theater director Jiří Menzel. Another strong generation of actors was given the opportunity. The successful premiere took place on November 15, 1996, and the production ran for twenty long years. The recording is from April 6, 2016, when the performance was staged for the 363rd and last time. The director and all those who had appeared in the comedy over the long period were in attendance.