Karel Koloušek

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Matěj Hůrka, a teenage bricklayer's apprentice, a young man who is delicate in matters of love, lives with his grandmother in a country cottage. He struggles with love problems, but waits in vain for some advice as his vivacious grandmother remarries an equally vivacious pensioner. The enterprising eldest generation thus contrasts to some extent with the youth, which is embarrassed.

When little Jirka Novák and his classmate Zdeněk's family take part in a merry Santa Claus journey through the city, he has no idea how important a change in his life this evening will bring. The story of a ten-year-old boy who unexpectedly discovers his grandfather, with whom his parents had separated forever years ago, sensitively tells of the loneliness from which little Jirka finds a way out and manages to bring his grandfather back to the family.

On 20th of April 1945 the Soviet army launches its attack on Berlin. The end has come for Nazi Germany and Hitler decides to commit suicide. In Prague K.H. Frank (Nazi Secretary of State and Chief of police in the Protectorate of Bohemia a Moravia) discusses with his commanders how to transform the city into an impregnable fortress, but the Praguers do not intend to wait any longer. From the early hours of 4th of May people start assembling in the streets and tearing down German signs. On the next day, the 5th of May, the uprising begins.

The difference in personalities and lifestyles is the core of Zdeněk Svěrák's hilarious comedy. The story of two elderly gentlemen begins in a hospital, where they are both hospitalized. Former tram driver Havlík discovers that his new acquaintance Chouň does not have an apartment and offers him that he can temporarily live with him. The latter happily accepts the offer and soon changes Havlík's proper and honorable life as a widower. The old conductor realizes that he can also live differently: cheerfully and carefree. The idyll is ruined when Chouň robs Havlík...

Even great love does not necessarily overcome a difference of morals - although the young hero is very much in love, he still rejects the comfortable and easy existence he could lead thanks to the family of his future father-in-law. A tediously moralistic comedy, it picks up with all seriousness the morality of a socialist man who has broken forever with petty bourgeois ideas. It is therefore too contrived, nor does it succeed in elevating the tawdry story in any way. A comedy about life's little and big compromises.

A story about a young medical school student and his adventures.

Postwoman Mrs Skorepa, her husband the ambulance driver Mr Skorepa and their eleven-year-old twins Petr and Pavel live in Prague in Malá Strana (Lesser Town), one of the Prague's historical and oldest quarters. The boys are crazy about cars and everything linked to them. They don't share their father's love of classical music. On the other hand, they are crazy about the newly announced scrap yard competition for paper collection. The lottery tickets awarded for every ten kilograms of old paper collected could win them a go-kart.

The popular Moravanka brass band performs at the fair. Vasek Pivoňka, the bandleader of the local brass band Kulatěnky, which broke up, decides to put the band back together. The village musicians are sceptical at first, but later they start rehearsing with vigour. Standa, a Prague resident who is working in a pig farm to cure his nerves, helps them to organise the concert. He really likes Evica Kocourková, but her father keeps an eye on her. Young Šišák tries to charm the teacher Olina. Before the performance can begin, the band must succeed before the cultural committee. However, they fail to do so. The disappointed musicians play for themselves at the station and suddenly they are successful. Standa comes up with an idea how to push Kulatěnka through without the permission of the commission. A concert of Moravanka is being prepared in nearby Nechvalin.

The forest worker František Hrubý, a poor, hard-working man, lives with his granddaughter in a lonely cottage. Despite being in his sixties, he is still a furiant who does not let anyone talk to him, but talks to everyone himself. His desire to interfere in the lives of his companion, daughter, granddaughter or friends is rooted in his fear of loneliness and death. He also can't accept that the work he has loved all his life has become too much of a strain...

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Young couple Hynek and Pavla are on the verge of divorce, largely due to Hynek’s meddling mother. When Pavla’s father unexpectedly visits, they pretend their marriage is intact, leading to awkward situations—especially after he lavishly gifts them a new car. Tensions rise further when Pavla learns her father plans his own separation due to a mistress, forcing all parties to confront hidden grievances.

At the end of August, a young woman is chased by an angry mob of hooligans under the windows of a bus because she decides to tear down a poster grossly insulting her husband, the staunch communist and deputy Balcar. She only gets a defence from the prosecutor Ronešová, who decides to convict and prosecute the perpetrators and bystanders of the unfortunate event. The principled Ronešová is oblivious to personal problems and sets out to fight against the relics of a happily extinguished social movement, with the right-wing defence lawyer Kahan being no match for her.

It is the summer of 1968 and also in South Moravian Pálavice appear political clashes. The so far peacefully farming Unified farmers' cooperative starts splitting. Some of the farmers have found the cooperative called Vidrupa and want to deal with wine in private trade. Michal Janák, chairman of the farmers' cooperative is a deliberate man and refuses the latent return to the capitalism. As an excellent farmer he continues preparing planting out new vineyards. His adversaries do not agree - the returns will come many years later. Jozka Hrdlicka, an émigré, notices on the Austrian TV the interview with the representatives of Vidrupa and decides to visit his native village. The new suit and the hired car transform the bankrupt and criminal to the successful businessman with wine.

Vera, wife of the plumber Simandl (Josef Somr), is found murdered in the cinema next to the IDOC (Information and Documentation) agency where she worked. Police captain Marha (Frantisek Nemec), who is leading the investigation, is informed by Simandl that on the day of the murder Vera promised to bring home fifty thousand crowns to buy a car. Marha's primary suspects are the three men working at the agency: deputy editor-in-chief Brandl (Jirí Pleskot) and editors Pernata (Eduard Cupák) and Remes (Ludek Munzar, and of course also Simandl.

A short film about Prague, Prague residents, and the beginning of the weekend.

Little Péťa visits his grandfather in the Krkonoše Mountains, where a swarm of bees settles on a tree. When Péťa disturbs it, the entire swarm attacks him, leaving him in a deep coma. Ordinary treatments fail, so Dr. Vrba insists on a beekeeper’s blood transfusion. Grandpa’s blood type doesn’t match, prompting a frantic search—ambulances, authorities, even foreign donors—to find a suitable beekeeper. After multiple transfusions from various volunteers, Péťa shows signs of recovery. With dawn breaking, hope returns as he awakens.

The problematic protagonist is the head designer of a housing association who wants to make a profit at any cost. His unwitting opponent is a bar pianist who accidentally witnesses the murder of a young man and sets out to investigate on his own. An old-world and somewhat comical figure, he poignantly interferes with the cops' work, only to find that he is the one who is credited with catching the perpetrator...

Maniac, a driver, sits on the track women, which then rape and kill. For loved ones, he is an ordinary person who has a wife and child. When exposed, he does not stop before killing his wife and takes his son hostage, under the guise of which he is trying to escape abroad.

Detective Weiner probes the death of Tomáš Ruml, found in a ruined house. Son of the architect behind a planned gypsy-quarter demolition, Tomáš seems a revenge victim, until Weiner meets Naha and uncovers Tomáš’ blackmail, rape and theft. Guided by baron Tancos, he must rethink the case from a new angle.

Civil engineer Luděk Turna accepts an attractive offer from a Prague design office. He tries to get ahead even at the cost of deception, but he recovers in time and voluntarily leaves to build a motorway...

Even a strict and not very popular teacher can achieve extraordinary popularity with his pupils. When their favourite teacher breaks his leg just before a bicycle trip, he is replaced by his strict colleague. Although his involuntary charges are not enthusiastic at first, they eventually become convinced that it is not good to immediately reject a person just because one does not get along with him at first...

A film about a young sanitation worker who tries to prevent the pollution of a river, but pays the price...

A marquee stands on a sprawling Prague housing estate and is home to two young bricklayers, who have all sorts of life experiences waiting for them in the city. Around the two rural bricklayers absorbed by the big city, the entertainment is more than a little embarrassing, toothless, revealing that at the height of normalisation, even the jolly genre of drama fared poorly, and any satirical allusions were especially undesirable. With no sense of humorous exaggeration and no wittily punctuated plots, the story unfolds, showing how the characters, living in a marquee standing on a sprawling estate, face all the pitfalls of the "big world"...

A group of children is trying to solve a mystery related to the diamonds smuggling.

Biography of Karel Čapek.

An unemployed young man in the second half of the 1930s, he tries various ways of making a living and, under the influence of a group of communist youth, eventually goes to Spain as an inter-brigadista...

The reason for making this film is clear: it was to cover up Vojtěch Jasný's famous chronicle "All the Good Natives", an account of the tragic consequences of forced collectivisation. The pro-regime director Antonín Kachlík also focuses on the socialisation of the Moravian village, accompanied by mistakes and coercion, but in his optimistic view he emphasises the hopeful prospects leading to a happy future. Although the united village lands were born in pain, they will serve for the benefit of all the working people... As with Jasný, Radek Brzobohatý embodies the stubborn peasant, who is only slowly acknowledging the benefits of communal farming. However, unlike the poetic exuberance and pithiness of Jasný's chronicle, here we encounter a vicious posturing.