Caetano Gotardo

In a middle-class neighbourhood in a city in the countryside of Brazil, the real estate speculation is a menace to the affective memory of a group of friends. Their answer to this imminent transformation is to fuck in the construction sites. And what about love? Is love just a construction?

João, a middle-class filmmaker, goes through a series of encounters with people like his long-time friend Irene; his boyfriend Álvaro; Matias, a young man he meets in the subway and has a sexual experience with, among others, some acquainted, others unknown. These encounters affect him and slowly begin to reveal a play of time frames which blends together life and creative process, present and memory.

Clara, a lonely nurse from the outskirts of São Paulo, is hired by mysterious and wealthy Ana as the nanny for her unborn child. The two women develop a strong bond, but soon Clara discovers a terrifying secret about the child.

Malu is organising a gender-reveal party for a pregnant influencer – while dealing with her own grief, her persistent constipation problems and her adolescent transgender child (who disapproves of her job commission). At the condominium where Malu lives, some strange phenomena are unleashed in the home’s most private zone: the bathroom.

A teacher awaits the arrival of his late students. Far away, a young couple wakes up surrounded by trees. It’s ten-fifteen in the morning.

Edgar Wilson, a roadkill collector in rural Brazil, dreams of escaping his small-town existence with Nete, the love of his life. When Nete decides to join her family in an apocalyptic cult, Edgar finds himself at a crossroads. With the world on the brink of destruction, Edgar and his unlikely companion Tomás – a disgraced and excommunicated priest – embark on a dangerous road trip through a landscape plagued by chaos and despair.

After losing his job and the end of his marriage, Júnior returns to his father's house. But that is not his childhood house anymore. His old room has been rented by a young woman and the place feels unwelcome and oppressive. Júnior develops and obsession for his family history, as strange things start happening in the house.

Sandra is pregnant and wants a girl. Her husband Marcos wants a soccer player.

Flávio loses his sexual appetite editing porn videos. José, his husband, is trying to create an equation that determines when humans will colonize Mars. Flávio is focused on a more internal journey, and José is trying to find ways to bring Flávio's lust back. Meanwhile, Hypnos, god of sleep and youtuber, tries to give people back the art of rest.

No description available.

Essay on Eva Nil, the first star of Brazilian cinema.

Tan needs to cry.

Isabella, Jonata and Pedro are stuck at home for a weekend. Distressed by the state of the world and financial difficulties, the trio decides to go out on the streets of a dystopian São Paulo to relax, which allows them to meet many individuals in a similar situation, causing tragicomic and fantastic situations.

Ícaro and Diego, a couple in a date, lose their way in one of São Paulo’s rich neighborhoods. They try to escape this alien place, while a strange creature prowls.

A son and father must tell the mother the sad news.

Marcos hosts Robert in his house – and falls in love with him. When Michael Jackson dies, Marcos goes sick and Lígia, his sister, comes to help them.

The image of a body that is not in front of the camera. The absence of an image. The presence of a body. The materiality of a dream that is impossible to remember when one wakes up. Someone falls in love. Someone searches for words. Someone moves. Someone falls, or flies. Everyone dances.

When an ordinary man attests the fakeness among the broadcastings and screens entanglement, a mysterious digital voice emerges to show him which secrets are hidden behind the false truths.

This is Juliana Rojas and Marco Dutra's second school project. The short film features members of the school's class in the cast. They are credited as Ju Chiquitita Rojas and Marco Mamma Mia Aurélio. The short features an appearance (in drawings) by Casal Medo, characters the directors would use again in other works.

Two men talk by a window while they observe the neighborhood.

Clarisse notices a small green leaf growing out of her right arm.

Get down a little; I bow my head and disappear at the end of his bone.

Within me lives a silence. At night, he goes with his claws, hunting for something to scream.

Gabriel is installed next to a tree in a noble neighborhood of the city of São Paulo. Clarisse accompanies astonished and inert the treatment given to Gabriel, at the same time that leads a stagnant life and dependent of the mother.

A character who has a voice and a body narrates an interrupted love experience. This immersion in subjectivity, as well as some fragments of almost lost poems by Safo and Lucrécio and some musical paths, lead us through images of different bodies of other people in constant motion in the streets, at parties, at home or inside the subway, while they move from somewhere indefinite to another in the city of São Paulo - in an indeterminate mix between the most everyday concreteness of the gesture and the possible abstraction of dance.