Zé Ramalho

Musician Alceu Valença revisits his career, from his first contact with music, when he was still young, through the 1970s, when several names in music from the Northeast gained space on the scene.

As the world boiled in the rush of Easy Rider bikes, in the frenetic pace of Elvis Presley, in Beatniks poets, in the explosion of counterculture, a boy from Bahia gave birth to Rock in Brazil. A runaway flying saucer that abducted the hearts and minds of thousands of fans, Raul Seixas, a man who became a myth. Raul died young because he lived intensely. Rock n 'roll, free love, alternative society, drugs, black magic, military dictatorship, women and daughters. A man who wanted to live from his work and died for it. The beginning, the end and the middle are confused, because the story is not over. The film reveals through rare images of archive, meeting with relatives, conversations with artists, producers and friends, the trajectory of the legend of Rock.

Film inspired by a poem from João Cabral de Melo Neto and his life in Capibaribe.

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Latest images of the artist still alive, an unprecedented composition, testimonies of friends, family and icons of Brazilian culture.

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Zé Ramalho ao vivo is the first (and currently only) live album by Brazilian solo artist Zé Ramalho, apart from his live recorded performances with other artists. It was released in 2005.

Zé Ramalho Canta Raul Seixas is an album by Brazilian singer Zé Ramalho MPB, released in 2001.The album also inspired a DVD, recorded in early 2002 in concert at Canecão, Rio de Janeiro. The disc, produced by Robby Reef, is almost entirely composed of re-recordings of songs from singer Raul Seixas of Bahia. Among them stand out SOS, Paper Planes, Metamorphosis, Golden Fool, You Can Still Dreaming (version for Lucy In The Sky With Diamonds by The Beatles among others. Still unreleased song There For Raul, an homage to Joe Ramalho Raul, and a version for How Could I Know, entitled How would I know. Ze wanted to have one disc with Raul when he was alive. a decade after the singer's death, he decided to record this tribute, but had to dribble the writer Paulo Coelho, whom Raul had made several partnerships. Paulo refused to allow Joe to record versions of songs you did with Raul.

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