Robert Wilson

An account of the professional and personal life of renowned American photographer Annie Leibovitz, from her early artistic endeavors to her international success as a photojournalist, war reporter, and pop culture chronicler.

Robert Wilson and the Civil Wars is an in-depth documentation of Robert Wilson’s ambitious attempt to stage an epic, twelve-hour, multinational opera for the 1984 Summer Olympics. Filmmaker Howard Brookner follows the avant-garde theatre director as he confronts a hectic work schedule, funding difficulties and relentless international travel in attempt to complete his preparations. The film examines Wilson’s unique theatrical style during The Civil Wars: A Tree Is Best Measured When It Is Down, which involves the continual creation of evocative stage sets, owing to a unique juxtaposition of movement, sound, text and image. Known for his precise, painterly images Wilson’s work derives more from visual art than the orthodox literary traditions of theatre. As a result, Wilson often challenges actors to perform in a boldly minimalist style, as well as collaborating with non-actors, such as young autistic poet Christopher Knowles in Einstein on the Beach.

The creative processes of avant-garde composer Philip Glass and progressive director/designer Robert Wilson are examined in this film. It documents their collaboration on this tradition breaking opera.

We look back at more than half a century of mysterious artistic creation while trying to crack a unique artistic code. Why are people moved to tears when Robert “Bob” Wilson puts minimalistic petrol pumps into a production of Shakespeare’s sonnets? Why does merciless repetition change our understanding of something? Together with Tom Waits, Willem Dafoe or Marina Abramović we trace back our own experience of Bob’s art. Is it true what Philipp Glass the collaborator of the milestone piece “Einstein on the Beach” laughingly and with apparent pleasure exclaims “what does it mean? It doesn’t mean anything!”?

For half a century, photographer Ruth Walz has been immersing herself in Europe’s theaters and opera houses, capturing the action on stage with passion and an unerring eye. Her theater photographs have set the standard for decades. In conversation with her colleagues, the unique stature and role of her photography are confirmed.

Documentary from Katharina Otto pays homage to famed stage designer Robert Wilson, who overcame childhood learning disabilities growing up in Waco, Texas, and rose to become one of the most respected avant-garde artists in late 1960s New York. As much a tale of social injustice as a portrait of an artist, this mix of interviews and live performance is testimony to how Wilson's early challenges influenced his creative expression.

In this entrancing documentary on performance artist, photographer and underground filmmaker Jack Smith, photographs and rare clips of Smith's performances and films punctuate interviews with artists, critics, friends and foes to create an engaging portrait of the artist. Widely known for his banned queer erotica film Flaming Creatures, Smith was an innovator and firebrand who influenced artists such as Andy Warhol and John Waters.

This hourlong semi-documentary records the musical stage collaboration between director Robert Wilson and veteran performance artist Marina Abramovic. Also included is a wealth of background material about Abramovic's life and earlier works.

A collaboration in which Robert Wilson and Heiner Müller let Molière die, imagine his death in tableaux with text passages recited by Müller himself. "Cinema watches Death at work." Wilson's actors watch Molière die: their vigil is hard work. Müller's comment: "The poem watches a dying man at work, his name is Molière. The poem is not a film. The film watches an actor playing a dying man called Molière."

A behind-the-scenes documentary of "The Black Rider/Der schwarze Reiter" or "The Black Rider: The Casting of the Magic Bullets" a "musical fable" in the avant-garde tradition created through the collaboration of theatre director Robert Wilson, musician Tom Waits, and writer William S. Burroughs. The story is based on a German folktale called "Der Freischütz", which had previously been made into an opera by Carl Maria von Weber. Here we meet the makers and the ensemble of the Thalia Theater production in Hamburg that opened on March 31, 1990.

Explores some of the most innovative attempts by contemporary artists, filmmakers, architects etc to explore multiple Temporalities and to counter the uniform sense of time promoted by our technology-driven society.

Produced in an era before 24-hour programming cycles, Video 50 was initially used as a late night filler on TV stations in Germany, France, Belgium, and Switzerland. Random, surreal, and unexpected, Video 50 resembles the dream cycle of a dormant TV station after it conscious programming has ceased. Its structure and form anticipate the dissociated sequence of moving images we are now accustomed to encountering on YouTube and social media.

A full recording of an all-night performance of Robert Wilson's The Life and Times of Joseph Stalin: An Opera. Recorded on December 21, 1973. In many ways a compilation of all the stage work Wilson had done with the “Byrds,” The Life and Times of Joseph Stalin reworked elements of The Life and Times of Sigmund Freud, Deafman Glance, Overture, and KA MOUNTAIN AND GUARDenia TERRACE into a seven act, 12-hour piece.

When Robert Wilson was a child, he told his teacher he wanted to be a king. The film takes this premise as a point of departure to explore the figure of monarchs through the lens of the theatre of the absurd (Gogol, Jarry, Beckett). A satirical triptych that reflects on the philosophical condition of being in power.

A captivating history of the nation's oldest performing arts center - which largely mirrors the evolution of experimental and progressive performing arts in 20th century America - BAM150 chronicles the vibrant past, present and future of the Brooklyn Academy of Music. Through footage of recent performances, intimate interviews, and an astonishing treasure trove of 150 years' worth of archival materials, BAM150 is a testament to the power and stamina of the institution that established Brooklyn as a cultural mecca-serving as a home to such greats as Enrico Caruso, Sarah Bernhardt, Edwin Booth, Merce Cunningham, Robert Wilson, Mark Morris, Laurie Anderson, and Pina Bausch.

He is the most performed contemporary composer in the world. And yet he rarely ventures out in public, prefers to keep quiet about his music, feels at home in the forests of Estonia and generates therewith - perhaps involuntarily - the impression of a recluse, which is attributed to him again and again: Arvo Part. In The Lost Paradise, we follow him over a period of one year in his native Estonia, to Japan and the Vatican. The documentary is framed by the stage production of Adam's Passion, a music theater piece based on the Biblical story of the fall of Adam featuring three key works by Arvo Part. The world-renowned director Robert Wilson has brought this work to the stage in a former submarine factory in Tallinn. Tracing their creative process, the film offers rare and personal insights into the worlds of two of the most fascinating personalities in the international arts and music scene.