Martti Kainulainen

Second silver screen adaption of the Finnish war book by Väinö Linna. The story is based on Linna's experiences as an infantry man in the Finnish army during the so called "Continuation War" (1941-1944).

Pekka arrives back to his home village of Jerusalem to celebrate the last wedding of the village. His own marriage seems to have reached a dead end. The people of the village gather to prepare for the event, and the bitter spectrum of all human life, with its joys and sorrows, is condensed into one summer's day.

Drama set in Stockholm and Helsinki and a village whose existence is threatened by a power plant. A group of young people return to their roots and are disappointed by what they find.

Lumberjacking is a second part of saga about young author, Kalle Päätalo. It's a story about growing up and becoming a storyteller in hard times when their father was in the forced labour camp. He was a lunatic.

Half-senile Ossi and his wife travel to celebrate Ossi's 75th birthday at an old people's home where most of their friends are already staying. Just before the festivities Ossi suddenly disappears and goes on tour to 'make an inventory of his life'. He checks into a hotel, poses as a publishing director to lure an aspiring female novelist, next travels to bother his old mistress and her new husband with his surprise visit and obnoxious comments, then goes to see his son for the first time in 34 years just to receive an even colder treatment. Meanwhile, his equally demented wife goes looking for him with a local policeman.

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Manillaköysi is a cult status holding TV-movie adaptation of the satirical war novel by Veijo Meri. Manillaköysi has an endless list of classic one-liners, but it is still not based on cheap laughs or anything like that. The whole humouristic aspect of it comes from describing the absurdity of war, and the whole military system, by looking it with the eyes of a simple man, who's thrown into it, and who simply does not give a rats ass of it all. The tone of it is not overly preachy or moralizing. If I would have to describe it with one word, it would be: unglamourizing. The main point of Manillaköysi is pretty much compressed in one of the most famous quotes of it: There is nothing supernatural about war, it is just work like anything else.

Portrait of rural life in 1920s Northern Finland. The film follows the early life of a boy called Kalle and his family in the shores of river Iijoki.

A young man fights against bootleggers in his village during Prohibition.

A young man finds himself in conflict with military order and purpose.

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Like it or not, almost anyone who has met a really serious poet finds that they have something about them which sets them apart from other people. It's not just a romantic legend. In wry but basically directionless Finnish movie, Paavo Pentikainen plays one of these ungainly beings, a man whose last published work is decades in the past, who probably hasn't written anything in years, but who still has an uncanny knack for precise observation, "pinning the tail on the donkey" almost every time. In the movie, the poet, accompanied by his young assistant, takes a minor celebrity's swaggering tour of small cultural centers and retirement homes.

Three old men escape from the hospital and travel to Turku in search of one of the mens daughter

The film follows a boy and the relationship between his birth mother and step mother. Based on the novels by Aapeli.

The story of the first elections in Finland. Farmer Topi Romppainen lives a modest life with his family in Kainuu in the early 20th century. While shopping in the village, Topi hears about the upcoming parliamentary elections. His wife Riikka decides to find out more and ends up at a meeting of the Social Democrats.

The story of a man raised in a boy's home and prison who doesn't conform to the rules and discipline of the military.

Bridge engineer Akseli Jaatinen arrives to stir up the lives of the inhabitants of a small Finnish village. Jaatinen is well-liked at the bridge construction site, but he quickly finds himself clashing against the local decision-makers. The bridge engineer is also popular with the ladies and, being a man of energy, he manages to take care of several of his admirers at once.

A famous glass artist escapes his busy city life and takes to the road.

A couple who have moved from the city manage a collapsing farm. The man Alfred is an alcoholic, therefore the responsible to solve the situation is his wife Katriina. Help is provided by the former owner Hermann.