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In the 1950s, Ludvik Jahn was expelled from the Communist Party and the University by his fellow students, because of a politically incorrect note he sent to his girlfriend. Fifteen years later, he tries to get his revenge by seducing Helena, the wife of one of his accusers.
The third installment in a loose series featuring the character Renáta Soukupová. Renáta is on the threshold of her thirties and is determined to conquer Bohemia back, to find her permanent and certainly beautiful existence here. And, of course, love, because she left France partly due to a failed romantic relationship. However, things do not turn out as the young woman imagines.
The film tells the story of an enthusiastic young man who joins a textile factory in the late 1950s and assumes that a promising career awaits him - the protagonist is therefore constantly comparing himself to his favourite literary model, the equally ambitious Julian Sorel from Stendhal's fresco The Red and the Black. The result, however, lacks the necessary conviction, the ability to draw the viewer into his world, and remains too contrived, as the chosen period has become a mere non-committal backdrop for amorous games.
The relationship between a teenage daughter and her mother is not an easy time in the life of either of them. But for Jana Burešová and her Simona, it means digging deep into their consciences and searching for sensitive places where the past can be revealed and a path to the future can be found. It is at her forty-fifth birthday party that a devastated Jana learns from the police that her daughter has secretly given birth. The next day, she visits her daughter in the maternity ward, but she refuses to talk to her because she cannot forgive her mother's lack of interest, the fault of which is that she did not even know her daughter was pregnant.
Sad love story about Martin, who is sent to a psychiatric hospital for observation after displays of hooliganism, and Markéta who is recovering from post-traumatic shock after her mother's suicide.
